RYAN ADAMS: 2006 TOUR HIGHLIGHTS

Posted on October 24th, 2008 by ekko

Posted on the Ryan Adams Archive, a fan of 2006 compiled all of his new material and his improvs. It’s a really fun album, because it was all fresh stuff at the time and many of the freestyles are hilarious. It’s also very good quality.

A few tastes and a zip. And please drop a comment and let me know if you all are still interested in boots and shows. I don’t get many comments on them, so I’m thinking of not doing them anymore.

1. Goodnight Rose (9-17-2006)
2. One Of Us Is The Sucker And The Other Gets To Play (10-14-2006)
3. Two (2-14-2006)
4. Blue Hotel (10-17-2006)
5. Arkham Asylum (9-19-2006)
6. Don’t Get Sentimental On Me (2-14-2006)
7. She Turns It Up To Ten (10-13-2006)
8. Rip Off (7-25-2006)
9. Typecast (10-13-2006)
10. Lighthouses (9-18-2006)
11. Two Hearts (2-14-2006)
12. Robot Fuck (9-24-2006)
13. Breakdown Into The Resolve (7-22-2006)
14. 21st Century Wars (9-27-2006)
15.Everything Dies (2-15-2006)
16. Fantasy Balloon (10-5-2006)
17.Maps (2-18-2006)
18. Martian Song (7-20-2006)
19. Party Clown (9-27-2006)
20. Teeth Dissolving In Diet Coke (9-19-2006)
21. Who Were We (2-14-2006)
22. Rumble In Cambridge (9-27-2006)
23. Halloween Head (10-6-2006)
24. Funny Face (9-18-2006)
25. Hans Solo Medicine Cabinet (9-24-2006)
26. Oh My God Whatever, Et Cetera (9-18-2006)
27. Neal Casal Went To Pee Just Now (9-19-2006)
28. Tears Of Gold (10-15-2006)
29. Everybody Knows (7-22-2006)
30. Trouble On Wheels (10-17-2006)

ZIP

PICTURE OF THE DAY: Found Porn Edition

Posted on October 24th, 2008 by ekko

PICTURE OF THE DAY

Posted on October 23rd, 2008 by ekko

OWNER OF A LONELY POST

Posted on October 22nd, 2008 by ekko

(The most mainstream Yes album) + (A single with maybe the most exhilarating riff in history) X (a video with maggots) = Classic rock.


Owner-Trevor Rabin (Live)

I Like It (Feat. Boo And Mack Maine)-Lil Wayne

Owner Of A Lonely Heart (1 minute remix)-Yes. All the best parts, no filler.

Owner-Grizzly Bear

Owner Things (Yes vs Howard Jones)-Saint Bernadette

Owner-Soul Priority (live, direct link)

Owner-Bockman’s Euphio (live 2002)

Owner-Yonder String Band (live, direct link)

Real maggot brain!


Clocking in at just three songs (technically two songs and a “bonus track”), the Kinetic Stereokids’ EP, “Have a Nice Day” is really more of a single than an EP. Consider it an advertisement, then, for their first full-length, Basement Kids. It’s hard guitar rock, and the EP’s live bonus track (studio version below) has a most appropriate song name: “Explosions Were Heard.” That about sums up this band.

It’s hard to write a review based on just three songs, but they seem pretty good.

Have a Nice Day

Explosions We Heard

Bonus guitarsNdrums Song:

An early, and less radio-friendly, version of “Overdrive,” recorded live. Fuck I love the Foos. Wish they were indie. But I admit, they’re too big for indie. FF and Pearl Jam are two bands that act independent, even if they’re backed by corporate funds.

Gun Beside My Bed-Foo Fighters.

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THE 25 BEST #1 POP SONGS OF THE 1980s! (part one-#25-11)

Posted on October 22nd, 2008 by ekko

I’m an old fart now. But in 1980, I turned ten. So the years 1980-1989 where the ones where most of my musical preferences were formed. It was when I started forming opinions of my own. And as you can imagine, I had a lot of them. And I was always right. Prior to buying my first record—Pink Floyd’s The Wall—I had been listening to my parents’ rock records: The Mamas and the Papas, The Beatles, and a little Tom Hall.

Now, lots of folks slam the ‘80s for making sterile, redundant, meaningless pop music. But other than the 1950s, no decade was marked more clearly by a distinct pop sound—something that ran through virtually all the hits, wherever you were in the U.S. You can always pick a 1980s pop song out of a lineup. It’s the one with the lame!

So, in honor of my favorite musical decade for pop hits, I’m doing a post of my top 40 favorite #1 pop songs of the 1980s. The criteria for selection were:

1. The song had to be a number one hit on the Hot 100 for at least one week. If your favorite song only cracked the top 10, it can’t make this list. I gotta have some basis to cut stuff. Otherwise, this list would go on forever. So, I made the Sophie’s choice to ditch a bunch of great, but not popular enough, songs.

2. The song has to be an example of fabulous pop music. Van Halen’s “Jump,” for example, didn’t crack my top 40 because it’s a great rock song, but it’s not a great pop song. It’s not nearly catchy or hooky enough. Ditto Pink Floyd’s “Another Brick in the Wall,” which is way too dark to be ‘80s pop. And ditto “Money for Nothing,” every song by U2, and “Sweet Child O’ Mine.” Some other rock songs that actually made the list might have rated higher if this were a “Greatest Songs From the ‘80s” list. But it’s not. It’s a greatest ‘80s cheesepop list. Deal with it.

3. Some artists, like Madonna and Blondie, had many #1 tunes chart in the ‘80s. If I’d already picked a song by an artist, I was less likely to want to pick another by the same artist. So that may explain why your favorite Bon Jovi song isn’t up here. Some artists, like Prince and Michael Jackson, were great enough to warrant multiple entries on my person top 40. But most weren’t. And I arbitrarily decided to include the same artist no more than twice, to boot.
Some of the songs that didn’t make my top 40? We’ll start with those. Then we’ll do it like Kasey Kasem, and go backwards from 40.

This is a big post, that took me lots of time to work up, so I’m doing it in sections. Here’s section one:

TOP 25 #1 SONGS FROM THE 1980s!

25. Walk Like an Egyptian-The Bangles.

Egyptian is plain old bubblegum, but it rises above the pack due to Susannah Hoff’s skills. Her subsequent solo work is great, and I dare you to listen to this song and not whistle along. Still, the “cops in the donut shops” lyrics do betray a little of the alienation and cynicism that began to creep back into popular music towards the end of the decade. By the time this song charted, bridging December ’86 to January 1987, we’d seen ‘60s rebellion and idealism fade into ‘70s light rock and turn into the overproduced hits of the ‘80s. On the rock side, Sabbath went to Zeppelin and then became Poison. So Egyptian came when the charts were getting ready for Axl.

Versions:

The Feeling

Smokestack. A musically muscular version.

24. What’s Love Got to Do With It-Tina Turner.

Perhaps the greatest comeback in rock and roll history, the rhythm and blues singer reinvented herself as a pop star, with legs all the way up to her fanny and a kick-ass voice. The whole Private Dancer album was great—especially her cover of the classic Al Green staple, “I Can’t Stand the Rain.” One of the best LPs of 1984. It goes to show you that popular music can also have depth and power. After this, she did the Mad Max song.

Versions:

Eric Hutchinson. He fucks the lyrics up a few times, but it’s cool to hear a guy singing an acoustic version of this song. It’s actually quite good, I think.

23. Private Eyes-Hall & Oates.

This charted in November 1981. I had to have one H&O tune on here, ‘cause they’re one of my pleasure-iest guilty pleasures. My wife can’t stand it when I listen to them. Or to Genesis. Who, surprisingly, didn’t have a single #1 on the Hot 100 chart in the 1980s.

Versions:

Towa Tei

22. Escape (The Pina Colada Song)-Rupert Holmes.

Look at that face, and the child-molester beard. Would buy that he’s the romantic dude from the song?

It’s the song that bridged 1970s AM softrock to the less risqué pop of the 1980s, reaching the #1 spot for the weeks of December 22, 1979, through January 4 of 1980. As the first #1 pop song of the ‘80s, I can’t deny it a rightful place here. Plus, I have to admit, I fucking love this song. Cheese and all.

. . . Well, neither would lots of folks. So this was the alternate cover.

Versions: Surprisingly, there are quite a few covers of this song. Gives me the opportunity to present only the good ones. Or at least the not-as-bad ones . . .

Moe. Moe do a lot of covers, and they’re usually pretty go
od. This one is a little too self-conscious–I’d have preferred that they play it straight, but I understand how hard that must be.

Brock Butler. See, this one is played straight. And it’s even got a guitar solo!

21. Addicted to Love -Robert Palmer.
This was one of the harder-edged #1s of the 1980s, and topped only one chart, the one published on May 3-9, 1986.

Versions:

Ekoostik Hookah
. I’m not sure what to make of this version. Whether to love or hate it.

Nenah Cherry. Cherry’s been in exile for almost a decade now, but she’s got amazing talent.

20. Time After Time-Cyndi Lauper.

The second Cyndi song on my list, and the fact that I didn’t pick “Girls Just Wanna Have Fun” shows my personal bias towards her ballads. The amazing thing is, if you look at the tracklisting for her “She’s So Unusual” album, it’s pretty much a greatest hits record.

Versions:

See this huge A to Z post.

19. Shout-Tears For Fears.

This song charted at #1 for just three weeks in 1985. I was pretty surprised by that, since it seemed like it was ubiquitous for that entire summer. I remember the chant we’d all sing when it came on the radio: “Shout. Shout. This song is played out.”

Versions:

Disturbed did a great cover–Shout 2000–but I’m not posting RIAA-protected stuff. Nor am I suggesting you buy it. But it’s the only cover I’m aware of.

18. Bette Davis Eyes-Kim Carnes.
You got to respect the staying power of Kim’s breathy, cornball tribute to one of the breathiest, cornballiest actresses in history: It held the number one spot from May 16 through July 17, 1981.

Versions:

Sexton Blake.

In My Arms (Bette Davis remix)-Mylo

17. (Just Like) Starting Over-John Lennon.

The first #1 song of the 1980s, if you’re the type of nerd who starts counting on year one. It stayed on top of the chart for all of January ’81, and is one of the best written songs on this list. The reason it didn’t rank higher is that it’s a bit more complex than most ‘80s pop tunes. And on a fluffy list like this, that complexity costs you points, John.

Versions:

Flaming Lips

16. Footloose-Kenny Loggins.

Go ahead, complain that it’s trite. Just about every song on this list is trite. Stop being so fucking serious, John Lithgow, and dance, muthafucka, dance. It’s 1984 already!

Plus, Kevin Bacon’s knock-kneed/bowlegged dance!

Versions:

There’s dozens of versions of this song. So some explanation is needed for the pick.

Trainwreck. It is kind of a barnburner. The original is too, but it’s got so much Loggins gloss, that’s it’s cool to hear a rougher one. It’s how I imagine the demo might have sounded.


15. Jessie’s Girl-Rick Springfield.

He wasn’t just cute, he was cool. And this song had a two-week run in August 1981. So much better than “Bop Til You Drop.”

Plus, Ricky was soooo dreamy. Almost as good looking as Chachi.

Versions:

OK Go

14. Come On Eileen-Dexy’s Midnight Runners.

“Oh that dress, my thoughts, I confess, they’re dirty, come on Eileen.” The subtlest #1 song ever. I remember one record store I went to actually spelled it “cum” on Eileen.

Versions:

City on Film

Badly Drawn Boy

13. Sweet Dreams (Are Made of This)-Eurythmics.

The song was #1 for just one week, in September 1983. The first time my dad heard The Eurythmics was on National Public Radio. They played a clip from “Sweet Dreams (Are Made of This)”:

Sweet dreams are made of this, who am I to disagree? I travel the world and the seven seas, everybody’s looking for something. Some of them want to use you. Some of them want to get used by you. Some of them want to abuse you. Some of them want to be abused.

My dad turned to me in disgust, and said, “What the hell does that even mean?” And he didn’t even know that in the video there was a really big cow.

Right then, I knew music would be important to me.

Versions:

Bat for Lashes

Tori Amos

12. Physical-Olivia Newton-John.

Yes, it’
s complete cheese. But it’s such a fun song. It charted #1 for over two months, though, beginning in time for Thanksgiving, 1981, and not relinquishing the throne until January 30, 1982, when it gave way to, incidentally, another Australian band: INXS’s “Need You Tonight.” Yeah, the Australians were to the 1980s what Canadians are to the 2000s.

Versions:

Doomington

Black Ghosts

11. I Love Rock n’ Roll (Arrows cover)-Joan Jett & the Blackhearts.
This song stayed at the top of Billboard’s Hot 100 for a month and a half in 1982. Tons of teenage boys soaked Kleenex imagining a mannish lesbian named Joan. Better than the Milli Vanilli hoax, if you asked me.

Versions:

Smashing Pumpkins. As the closer of a medley, preceded by Heavy Metal Machine and On The Road Again.

Carbon Leaf. Another medley version, and this one also has “Another One Bites The Dust,” which topped the Hot 100 in the 1980s. I didn’t pick it as one of my top 25, though, because it was too rock, not enough pop.

Come back later for the top 10!

PICTURE OF THE DAY

Posted on October 22nd, 2008 by ekko

PICTURE OF THE DAY

Posted on October 21st, 2008 by ekko

HASAN SALAAM-“Children of God”

Posted on October 20th, 2008 by ekko

Let’s get one thing straight: I’m not black. And have Jewish ancestry. So when I say that Hasan Salaam’s “Children of God,” a heavily Islamic rap record littered with prayer clips, sermons, and preaching black power and unity, is one of the best Hip Hop albums I’ve heard in the last five years, you know the judgment did not come easily. This is not a record targeted to a white audience, and it is unapologetically political. But it is also level-headed, without a hint of racism, proof that MLK was right: One can have racial pride without racial bias; one can talk of oppression without advocating violence toward the oppressor; one can speak the truth with pain and rage, but without hatred.

Salaam has been around since 2004, hailing from Jersey and telling street tales without glorifying gangbanging. He’s also a teacher of chess and creative writing in his home-state’s public school system, working with inmates and troubled youth, organizing community boycotts–showing that he is true to the game, practicing what he preaches. “Children of God” is his second record, and it’s the first of two albums he will release this year, both independent.

“Angel Dust,” featuring Lord Jamar, is the first song on the record with a hook, and it’s a powerful anti-drug club rap, telling a street story as well as Nas or GFK, Lord Jamar shows versatility on the hook and Mr. Salaam shows incredible skill by rapping about sex and drugs without being vulgar, crude, or even using a single curse word. Another catchy tune is “The Uprock,” featuring one of my personal favorite underground rappers, Masta Ace. Ace never goes wrong, with a thesaurus-like command of the language and a flow that’s musical without losing the hip hop cadence. Is every single song a masterpiece? No. But what album can claim a perfect tracklist these days? “The Reign” is a little schizophrenic, moving too fast to be inspirational, and Mr. Salam’s deep, dark flow is better suited for slower beats. But these missteps are still interesting, as we get to hear him stretch a little, and the few lighter tracks provide much needed breaks between the thought-provoking intensity of this record.

“Even with the seed of life, some still seek the pipe,” Mr. Salaam says on the title track. This line is just one of many he tosses off in succession. There are so many times I had to hit pause and rewind, just to catch up. Truly, this album should be played in schools as an example of how popular music can do its thing without being ignorant, and how hip hop is not nearly dead. This is a spiritual album with practical, real-life stories—an example of the way Religion is supposed to work in human life: It’s not idealistic, but it is full of ideas. Go buy it now.

Angel Dust (with Lord Jamal)

BONUS UNDERGROUND RAPPER:

If you haven’t heard Yela by now, you need to.

I’m the Shit-Yelawolf


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“One For Me To Find” has the title and sound of an old traditional. It begins with Daniel James’ forlorn voice, singing over a drumbeat and a murmuring organ, “I’ve got these outlaws chasing me . . . It’s hard to make amends, with myself and my dead friends . . .” It’s a perfect introduction for an album that sticks to Southern Rock basics, but manages to wind through Dead-like jams (“Sun’s Only Promise”), uptempo Allmans rock (“Ain’t No Surprise”), sauntering country pop (“Come Back (Now That I’m Here)”) and everywhere in between.

The band has always been the anti-corporate antidote to Kings of Leon, and a more grounded, song-based version of My Morning Jacket. They continue their tradition on their latest release, “Ain’t No Surprise.” With so many bands making music like this nowadays, it’s hard to separate the wheat from the chaff. But you can’t go wrong with Leopold and His Fiction. They’ve got solid songwriting, complete control over their instruments, and vocals that kick ass.

Come Back (Now That I’m Here)

BONUS SOUTHERN ROCK COVERS:

Time of the Season (Zombies)-My Morning Jacket

Slow Night, So Long (with Ed Vedder)-Kings of Leon


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