Susannah “The Bangles” Hoffs and Matthew “Girlfriend” Sweet teamed up for the first time in 2006, releasing what may be best described as a low-key powerpop album of covers, “Under the Covers Vol. 1,” with killer versions of classic rock (The Beatles’ “And Your Bird Can Sing,” Dylan’s “Baby Blue,” and Neil Young’s “Cinnammon Girl,” e.g.) and some more eclectic choices like “Different Drum,” “Run to Me,” and “Sunday Morning.” Volume 2 attempts the same magic, with a balance of classic rock covers (“Bell Bottom Blues” is a particular standout), and some more ambitious selections as well. In some ways, the album reaches a little too far. “Seen All Good People/Give Peace a Chance” is an eight-minute epic that starts out interesting but just goes on too long. If you’re going to make a light, folkpop album, don’t do extended songs. On the other hand, the duo’s willingness to approach the offbeat and ordinary with equal enthusiasm produces the albums greatest successes. “You’re So Vain” and “Hello, It’s Me,” hew close to the originals, but veer off with just enough fun and spirit that they actually improve upon them. I’d tell you that their cover of “Sugar Magnolia” is also a step above the original, but The Grateful Dead have never been known for their studio efforts, so it might seem like damning with faint praise. But it shouldn’t. Hoff’s charm and Sweet’s skillful arrangement make the song as happy-go-lucky as its supposed to be–a love song for summer.

This second time around isn’t as consistently great as the first one, but there’s enough greatness here to make this the album that should be slamming from the deck while you’re driving on the sand this summer.

Bell Bottom Blues

BONUS DUET

Scarlet Begonias-The Grateful Dead and Janis Joplin. (Because the Dead are basically one dude with several bodies.)

PICTURE OF THE DAY

Posted on August 19th, 2009 by ekko

Monkey See Monkey Do-Eminem Dissing Jah Rule.  From when Em was fiya!

GET FREE COUNTING CROWS’ TICKETS!

Posted on August 18th, 2009 by ekko

From the press release:

Counting Crows and the band’s non-profit organization, the GreyBird Foundation, are partnering with regionally-based non-profits around the country to give away free tickets to their shows, as well as CDs and signed posters, in the cities where the band will not be on tour.

Counting Crows are currently out with Augustana and Michael Franti & Spearhead on the Traveling Circus and Medicine Show tour. Each day, as the tour bus pulls up, a non-profit in that city will hide an envelope for the lucky winner to find.  Adam Duritz will be tweeting clues to their 600,000+ Twitter followers as to where to find the envelope.

Join the circus @ http://www.twitter.com/countingcrows

RYAN ADAMS AND THE PINKHEARTS

Posted on August 18th, 2009 by ekko

Get ready for one of the best Ryan Adams boots you’ve ever heard.  These are December 2000 outtakes from the Demolition album, and represent the first(?) Pink Heart sessions.  You’ve got the dopey Red Hot Chili Peppers improv, but there’s also a great Ramonesy tune (“I Don’t Wanna Work”), hot instrumentals, and a sweet version of Red Red Red Red Wine.  All tracks are awesome quality, and this is a must have for any Ryan fan.

Tracklist and ziplink-

Mega-Superior Gold
Win
Red Red Red Red Wine
Candy Doll
I Don’t Wanna Work
Charmed
Enemy Fire (instrumental)
Testy, Testy (instrumental)
Around The World
Under The Bridge (Red Hot Chili Peppers cover)
Young Winds

zip

PICTURE OF THE DAY

Posted on August 18th, 2009 by ekko

WHAT THE #@*! DID THEY JUST SAY?!?

Posted on August 17th, 2009 by ekko

1.  Courtesy of Passion of the Weiss courtesy of Nah Right . . .

. . . A totally rad remix of The Chef’s Cuban Lynx Era vocals over extremely cool beats.  I’m not usually a big fan of blends and reworkings, but this one is spot on. Link.

2.  And in other hip hop news, new Felt and Slug of Atmosphere.

3.  Union City Blue (Blondie cover)-Captain Polaroid.  One of my all time favorite songs ever.

WILLIAM ELLIOT WHITMORE-”Animals in the Dark”

Posted on August 17th, 2009 by ekko

Who is William Elliot Whitmore? He’s the real thing. That’s so much more complete a description than to say he’s a blues/folk banjo player. Because his voice would make the devil jealous and bring tears from the hardest man. He’s hope in the dust, a wise man whose songs sound as old as the Earth.

And when you see his picture you’ll realize something even more astounding: He’s a white guy!

The album begins with “Mutiny,” a marching song that begins, “It’s a Goddamn shame what’s going down/How it got to this I just don’t know/There’s a sick sick wind that’s going around/And the captive’s got to go.”  When gets to the chorus, singing about how he wants to wrap his hands around the captain’s “crooked neck,” and declare a mutiny, he could be singing about the state of the America today, during 1943, the Civil War . . . Or he could be recording a tune for a soundtrack to the next Pirates of the Carribean movie.  (No.  Wait.  It’s way too good for that.)  The song sounds traditional, like William Johnson or Blind Gary Davis or Willie Dixon, until Whitmore cries, “We don’t need no water, let the motherfucker burn.”  He follows up this inspiration, get-on-your-feet-and-stomp tune with a quieter, acoustic guitar number called, “Who Stole the Soul?”  It’s equally inspiring, but full of sorrow–”They won’t stop/’Til all the good men are in jail.”  Every song is like these two opening numbers.  Whitmore sings of the pain of the downtrodden, like Woody Guthrie and Tupac Shakur, together, in the voice of a man who bears the weight of the world.

This is an astoundingly rich album, an experience akin to Springsteen’s Nebraska in the way that it claims the ground not only of country and Americana and country rock, but also of blues, folk, and awesome power.

If you don’t like this album, you just don’t love music.  Period.

Buy it!

Johnny Law

PICTURE OF THE DAY

Posted on August 17th, 2009 by ekko

LONDON BURNED–FOR THE FIRST TIME IN 20 YEARS

Posted on August 17th, 2009 by ekko

The Last Night London Burned

I can’t believe how long it’s been since I posted a boot of the Greatest Band Of All Time: The Clash.

This is a great boot of the first time Mick Jones and Joe Strummer played together in 20 years, at ActonTown Hall on November 15, 2002.  It’s Strummer and the Mescaleros until track 14, and then it’s Mick N’ Joe.  Dig it.

1 Shaktar Donetsk
2 Bhindi Bhagee
3 Rudie Can’t Fail
4 Tony Adams
5 White Man in Hammersmith Palais
6 Mega Bottle Ride
7 Get Down Moses
8 Police & Thieves
9 Cool ‘n’ Out
10 Police on My Back
11 Johnny Appleseed
12 Coma Girl
13 I Fought the Law
14 Bankrobber
15 White Riot
16 London’s Burning

Link.

THE TOP 40 T.V. THEMES EVER–#1: BATMAN

Posted on August 16th, 2009 by ekko

Can there be any doubt that this is number one? Not only is it ubiquitous, spawning entire albums of cover versions (“Batmania!” is a fave of mine), appearing in dozens of other shows, and inspiring immortal playground taunts, like “Batman! Swingin’ on a rubberband . . .” You know the rest. Neal Hefti’s classic is the greatest TV theme ever, and no song has ever done more to change (and set back?) a comic book character. And with it’s intense lyrics (“Batman! Batman! Batman!”), it’s the musical equivalent of that “Head On” commercial.

To the Taxmobile!-Batman vs. The Beatles

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