MARTHA AND THE MUFFINS-Delicate

Posted on January 17th, 2010 by ekko

Martha and the Muffins are a Canadian band who released their first album in 1977 and had a hit in 1980 with the song “Echo Beach.”  But don’t feel bad if you haven’t heard of them.  They haven’t made a new record in 18 years.  I’m not familiar with their output from 30 years ago, but I do know what I like and I like Delicate.  It doesn’t sound desperate or warmed over or stodgy or any other negative adjective you could attach to a “reunion album.”  They’ve gone from the Virgin label to an independent, self-produced record, but the smaller sound suits them well.  Again, I don’t know what they sounded like when they were an ’80s pop band, but now they’re making tight, well-crafted songs that sound vaguely ’80s–but only vaguely.  The album plays with the pop structure, moving from fast to slow, from synth-loopy to live drums and guitar, and with great vocals that sound fresh and original.

I particularly enjoyed “Even in the Rain,” which has an echoey, sad sound, and beautiful, subtle guitar work.  It almost sounds like Cat Power or Marianne Faithful.  It feels intimate and vulnerable.  But right after that, with “Mess,” the band proves it can do funky pop, too.

Quite a good record!

Mess

Live performances of the band’s old hit, “Echo Beach,” are available on youtube, but they can’t be embedded. This can:

PICTURE OF THE DAY

Posted on January 17th, 2010 by ekko

MEET HOLLYWOOD FLOSS . . . The Next Greatest Rapper Alive?

Posted on January 16th, 2010 by ekko

Hollywood F.L.O.S.S. (Flawless Lawless Opposing Stagnant Situations)) is about as un-Hollywood as he can be with that alias.  He makes true hip hop, not commercialized hooks, he’s a young fresh voice, and his 2009 mixtape was the sixth best album of 2009.  He’s tough to reach, but I managed to get him to answer a few questions for us.  He’s got big, but unspecified, plans for 2010 . . . Listen to the track below while you read his words.

Art or Fiscal Intelligence

* * * * *

BP: Welcome to Berkeley Place, my little corner on the net.

HF: First of all thanks for even taking your time out to interview me, I appreciate it and it means alot!

BP: Thanks back. It’s an honor to have you, truly. I don’t know a whole lot about your background—is Art of Fi$cal Intelligence your first full-length?

HF: Nah that’s cool, I dont want people to feel like they know everything about me, and then they get bored. Sometimes it’s good to keep them guessing. But to answer your question Art or Fiscal is my first full length LP/mixtape project. I’ve had mixtapes before but this was the first LP and original beats as a solo artist.

BP: The production on the mixtape is extraordinary. Is that mostly you?

HF: Word! Thanks for the compliment, the production is definitely 90% me. I produced everything except Cougars, that was by Chris Rockaway.

BP: Hm. And Cougars is my least favorite track on the album. I like it, but it seems a little more obvious than the rest of your work, which is higher-level stuff, in my opinion. But I know you’ve done other work as a producer—can you namedrop a few of those projects for my readers, who might want to hear more from your work on the boards?

HF: Underground projects with Swishahouse artist Big Tike and 50/Fifty, Dustin Prestige of rapradar.com, and Fat Tony of Houston, Texas. I try to produce as much as possible for myself as a necessity but i will give beats away to certain artist if they really want it.

BP: Any rappers out there you’d really like to produce?

HF: Oh yea, i’d love to produce for Lupe Fiasco, Wiz Khalifa, Dom Kennedy, Curren$y, and Nas … I really would like to sit in the studio and scope a
new sound for each one of them… give them directions etc… Not just the old send a beat and work, but actually starting from scratch and creating
songs.

BP: Very respectable list. Lupe just dropped a new mixtape. Are there any producers you’d like to produce you, or do you think you do yourself the best?

HF: You know what i think i produce myself well, but i’m open to all options, and could see some good songs coming from Madlib or Oh NO, Polow Da Don, Thom Yorke, Boi 1da has sick production and Will I AM… i try to mix things up and do the unexpected when allowed so that would be a good mix of producers to work with
BP: Thom Yorke and will.i.am? At least you don’t set your sights low. You say your favorite rapper is Jay-Z on the mixtape. What is it you admire most about him? Is it his business acumen, his flow, his ability to pick the right beats ?

HF: Funny thing is my list always changes, but Jay stays in the top 5… I guess at the time he was my favorite and i admire his slick witty wordplay…Most would say he dumbed down and thats true, but if you pay attention, he has alot of sneak jabs and double entendres that keep him in the topic of best MC… his new work is been alright, but other favorites of mine are Andre 3k, Lupe, K-Rino(probably the best never to get fame), Eminem and Cee Lo.

BP: Did you like his last album? I thought it was a big letdown.

HF: You know what It has grown on me, but its still a let down… I expect the best from him, but i feel my expectations is what causes me not to enjoy it as much as i could… Def. Thank You, Already Home, Star is Born and On to the Next are my standout tracks…But yea, the way it was hyped had me searching for a lil different album.

BP: Something I really admire about your work is that there’s very little need for gangsta posing, drug talk, or streams of profanity. Instead, you rap a lot about inspiration and, without saying so, you seem to be rapping about God. Do you talk about your religion at all, or is it too personal to ask about it?

HF: The gangsta posing will not happen, thats not me and never has been, so i coulndt even see myself trying to go that way, only if i’m doing a creative story then maybe…Drug talk, Nahhh never did it and you can go getvthat from 100′s of rappers, profanity does happen, but i figure if you can find words to replace every now and again you not studying your craft strong enough…The inspiration and the hunger to do better is what i love to rap about…its a place i’m familiar with! … I mention God to let listeners know i do believe in a higher being and none of the things i do can go without him, but am i perfect Noooo… i make my mistakes like anyone– So i hope people understand i’m here to provide entertainment through my eyes and experiences… I’ll talk/rap about anything, i have nothing to hide!

BP: Most rappers use spirituality as a way to make themselves seem “better” than other rappers, but for you it seems natural—“money falling out the
sky/who gonna take it”; I am right, that is a God reference, right?

HF: Well cause I’m really not better than anyone, I’m just doing what i like to do and I feel like NO one can take how you want to make music away from you… If you dont like my music then create what you like yourself… I do this for me, my therapy and if you like it thats a bonus lol … But that line is a mix of God and the hustle/motivation correct.

BP: Do you think something in particular accounts for the spirituality of your music?

HF: My parents and the way i was brought up… matter of fact being around anyone who had a hand in raising me and drilling church and understanding your spirit mos def.

BP: You’ve said your High School was mostly white—I was a white kid mostly with black kids at my school. What does being in the minority do to you artistically, do you think?

HF: I cant stress how great that was for me… It really opens your eyes and helps you understand and develop a sense of CULTURE and being well rounded… You get the best of both worlds and you can take the good and evil out of both… I thank my mom for that, no telling where i’d be if she had not of done that.

BP: Okay, here’s the one everyone asks: Who are the best dudes in hip hop today?

HF: alright lol, so many… but i enjoy Lupe Fiasco, Phonte, K-RIno (check him out yall) Elzhi, Eminem, Andre 3k & Ceelo, Joell Ortiz New – J. Cole ( he’s a beast)
Producers Black Milk, Just Blaze, and I really like what Justice League is bringing to the table and it wouldnt be right if i didnt say Hollywood FLOSS, once people
understand my vision and i get that big stage… people will see what i have discovered in myself.

BP: Thanks again for coming around.  Please let us know when something new drops . . .

PICTURE OF THE DAY

Posted on January 16th, 2010 by ekko

POSTDATA-Postdata

Posted on January 15th, 2010 by ekko

Have you ever experienced a frustrating “postdata” message on your screen?  I have.  Yet, until I received a CD submission by a band with that name, it never occurred to me to find out exactly what “postdata” is.  The definitions I uncovered weren’t all easy to understand, but basically it refers to information that was on a page and will be re-sent to a Web server when the user navigates to another page.  Doesn’t tell me much about what to expect from the band, other than this is some kind of computer dealie.

But the band Postdata is as far from computerized as possible.  The brainchild of singer/songwriter Paul Murphy, this is a quiet album. It is mostly acoustic, with occassional swells, a collection of gentle songs created as a sideproject from Murphy’s regular band, Wintersleep, and performed with his brother, Michael.  It will be released on January 26 on Sonic Records.  It’s very solid stuff–I recommend it.

Tobias Grey

TOP 10 DRACULA PORTRAYALS

Posted on January 14th, 2010 by ekko

These days, Vampires are all the rage. And let’s face it, Vampires are cool. But Dracula usually sucks. Pun intended. But seriously, when you know that a movie, TV show or book is about The Count–as opposed to being about a less renown vampire–it’s usually an indicator that something lame this way comes. But such is not always the case. And it certainly wasn’t true in Bram Stoker’s original, classic novel. But where else can we see good versions of Drac–not corny, stupid ones? The answers are below . . . In this list of my favorite depictions of the true Crown Prince of Dracness.

10. Buffy the Vampire Slayer No.s 12-15 (“Wolves at the Gate”). but the Buff comic books are quite good, and in this story arc, which follows the Buffy vs. Dracula TV episode also on this list, the team reunites with Dracula in Japan of all places to fight a new group of super-powered vampires. The terrific story arc by Drew Goddard has all the charm, drama, and humor of the TV series.

9. Abbot and Costello Meet Frankenstein. Abbot and Costello versus a legion of monsters including The Wolfman, Mummy and Dracula. Yes, the 1948 film is definitely a little dated, but it’s still a great vision of the comedic possibilities in Bela Lugosi’s classic vision of the character.

8. Uncanny X-Men #159 (“Night Screams!”). Storm is hypnotized by Dracula, who wants her as his nubian princess. It’s a pretty damn cool idea–why wouldn’t Dracula seek to turn a mutant into a vampire? The story was kind of a one-off, outside of the regular X-Men continuity, but it was far better than it should have been. And the cover by Bill (“Moon Knight”) Sienkiewicz is brilliant. Note: The subsequent X-vs.-Drac battle in X-Men Annual #6, wasn’t nearly as good.

7. The Simpsons Treehouse of Horror IV (“Bart Simpson’s Dracula”). The 1993 installment of the animated show’s tribute to Halloween–an annual favorite at my house. In this episode, Dracula is portrayed as Mr. Burns, with images that borrow heavily from the brillant Francis Ford Coppola film (see below). That is, before the episode takes a bizarre turn and into a parody of the Charlie Brown Christmas special). Very Monty Pythonesque.

6.  Salem’s Lot.   Since Vlad doesn’t appear in it, it might not be fair to include this on a “Best of Dracula” list, but I’m doing it because Stephen King has stated repeatedly that his brilliant novel–one of the scariest books ever written–was intended as an update of the Dracula novel–what if Dracula took place in Maine in the modern day?  This is the only novel on this list, which isn’t to say that there aren’t good books about Dracula–it’s just that I haven’t read any.

5.  Dracula.  In Francis Ford Coppola’s 1992 film, Gary Oldman is the titular vampire.  This is the closest thing to a film version of the novel, but what makes it great is Gary.  Oldman is always great a being an over-the-top villain (see The Fifth Element, The Professional, and True Romance), and this role is no exception.  He’s effeminate, ironic, irritating and evil.  And larger than life.

4.  Buffy vs. Dracula.  In the first episode of the show’s 5th season, Dracula is portrayed as an obnoxious egomaniac by soap opera actor Rudolf Martin.  Yeah, I’m a little Buffycentric putting her twice on this list–but was anyone in the 1990s more important than Buffy for redefining vampires as a genre?  And what’s cool about this episode is that The Count can’t be killed like a normal vamp, which explains why he’s been able to survive for centuries without any slayer ever being able to get to him.  Yet, he doesn’t really have any supremely sinister goals or aspirations–or at least none that he cares all that much about.  He’s kind of like Paris Hilton.

3.  The Tomb of Dracula.  Beginning a six-year run in 1972, this Marvel Comics series featured a gang of vampire hunters who would fight against–and sometimes alongside–Dracula.  This was Marvel’s first superhero monster book–followed by Werewolf By Night (the series in which Moon Knight debuted), Legion of Monsters, and utimately the Blade series.  The book was made possible by a loosening of the comic book code’s ban on all vampires, and was written by legends like Gerry Conway and Archie Goodwin, and drawn by the brilliant, shadowy, sketchy Gene Colan (with covers by Gil Kane).  No, the series wasn’t always brilliant, but it did something for Dracula that I’m pretty sure no one had done before: It made him an action hero.

2.  Dracula.  The 1931 film by Tod Browning and starring Bela Lugosi remains the iconic depiction of the lord of vampires.  It’s not even close to the book version–the Count is far less powerful here than in Stoker’s novel–but all the elements for all the versions to follow are there: Hypnotic sexuality, the eyes, alliances with wolves and wierdos, hot chicks, and Dr. Van Helsing.  For more Bela, don’t miss Martin Landau in Tim Burton’s amazing Ed Wood film.

1.  Nosferatu.  The first film about the bloodsucking king remains the most frightening.  F.W. Murnau’s 1922 silent film has the creepiest looking depiction of Vlad the Impaler, even if Count Dracula’s name is never used (because Bram Stoker’s estate would not give Murnau the rights).  Max Schreck plays Count Orlok, with a rat face and skinny, boney fingers, and a story that may have been different enough to avoid a lawsuit but definitely is, without a doubt, the first film version of Dracula.

ELECTRIC PRESIDENT-Violent Blue

Posted on January 14th, 2010 by ekko

Florida duo Ben Cooper and Alex Kane, who together become “Electric President” deliver pop/shoegaze of the highest order. Their album didn’t change my life–shoegaze rarely does–but it did entertain quite well. These two have been collaborating since about 2004 (as Electric Present, but also on the “Radical Face” LP in 2007) making quiet, romantic music.

At times, it can even be surprising. “Safe and Sound” is one such track, which ends with a promise to “come bury you, all safe and sound.” It is tragic and touching. The vocal qualities are very similar to Ben Gibbard, which works well with their musical style–melancholy ache. I was sent an advance of this record–I’m having trouble finding out the actual release date.

For fans of: Postal Service/Stars/Death Cab for Cutie. On Morr Music records.

Safe and Sound

THE FIRST COMIC BOOK NEWS ROUND UP OF 2010

Posted on January 13th, 2010 by ekko

1. The lead story has to be the indefinite hold put on Spider-Man 4. Various reports indicate that Sam Raimi wanted to use The Vulture as the lead villain, but Sony wanted to young it up and was foisting a Black Cat storyline on the project. You may remember that Raimi had also sought to use Vulture in SM3, but Marvel’s Avi Arad convinced him to use Venom. Raimi apparently isn’t oblivious to the serious decrease in quality from SM2 to 3, and must be viewing this project as a way to redeem the franchise. Stick to your guns, Sam, we trust you. This has forced Sony to push the release date back, and Marvel’s movie house is scrambling to fill the void. Thor is now scheduled for May 6, 2011, the date previously occupied by Spidey. In response, Disney moved up the next Pirates of the Caribbean toy commercial, I mean movie, to May 20th (the date that had been occupied by the thunder God). Read that last sentence again. It’s the last time you’ll read a mention of Pirates on this ipage. (I’m not a fan of the franchise, just the first one.)  BY NOW, YOU’VE ALL HEARD THAT THE FILM IS OFF.  I’ll report on that next week.

2. In the useless information that you might be curious about, Barack Obama’s guest shot in Amazing Spider-Man was the bestselling comic of the entire decade. Too bad it wasn’t a better comic overall, but as far as celeb shots go, it was a decent one.

3. Siege has begun. All signs point to it being great–Brian Michael Bendis is teaming up with artist Olivier Coipel again—and it looks like the story will be Norman Osborn’s attempt to extend his jurisdiction beyond HAMMER and Earth, all the way to Asgard. Readers of this page know that the Thor book stayed out of Marvel continuity at the request of its brilliant author J. Michael Straczynski who later quit when he was told to be a part of Siege. Matt Fraction will be taking over the reins on Thor on or about the time of Siege, so I’m hopeful the Thor book will be able to maintain its staggeringly good level of quality. As for Siege itself, it promises to be more dynamic than the dark and sad Civil War or the all-talk/little-action House of M, and better thought-out than the slapdash Secret Invasion. So, again, I’m optimistic. My only complaint about Siege is that Spidey should take down the Green Goblin. As it was and should always be. Oh, well. However, the timing of all the various tie-ins has me confused. Can anyone tell me this:

- The Captain America one-shot that leads into Siege–It seems to take place after Captain America Reborn #6, which isn’t out yet. Should I read it?

4. In anti-Deadpool news, there are reports that Ryan Reynolds (Deadpool in the Woverine movie, and titular star of the upcoming Green Lantern flick) is being considered for the lead in a new Flash Gordon movie. Not only do we not need another FG flick, but this means that he’d be attached to three franchises. And out of those three, Deadpool is clearly the least commercial and, therefore, the most likely to fall to the axe. Especially since Warner Bros. recently hinted that the movie will begin filming in New Orleans in two months, and has a 2011 tentpole release date. Another recent GL development: Kilowog will be in the flick! Awesome. On the other hand, the writers of 2009’s amazingly brilliant film, “Zombieland,” are being paid to write a Deadpool script. So, there’s hope yet.

5. I’ve been re-reading my old Swamp Thing books so I was happy to read that Alan Moore will be returning to comics next year, and teaming up with one of the best indiebook artists out there–Jacen Burrows. The book, Neonomicon, will be some kind of Sci Fi book. Those old Swamp Things he did were recently bound, and I recommend you all go pick them up. Moore was doing things there (in 1987) that seem progressive even by today’s standards. In fact, I’ll be writing about it. Soon.

6. And just to end with what probably should have been the first story . . . At the end of this month, Apple has scheduled a roll-out of it’s version of the Kindle. The iPod changed music forever, the iPhone revolutionized telephones, and this may do the same for the print world . . . Including comics! It will be digitalized full-color, high resolution, and will have the ability to use iPhone apps. I’ve never subscribed to Marvel’s digital on-line collection because there’s no convenient way to read it. This may change all that.

7. Postscript: They have a lot of balls to charge me four bucks for the latest Blackest Night and then fill it with 10 pages of covers of other comics on sale. Fuckers. They haven’t drawn this even out long enough that they have to bleed me dry?

I KISSED A GIRL . . .

Posted on January 12th, 2010 by ekko

It’s really too soon to call this song a guilty pleasure.  Also, I don’t love the song.  I just kinda like it.  I heard this song, and I liked it.

Another reason it doesn’t get a long salutation and discussion the way my guilty pleasures usually do is because I just haven’t heard enough takes on the tune.

Anyway, it is a pretty crappy pop song.

And I do like it.

So I am guilty.

Three covers, individually and zipped, follow.

Dig the covers?  Know about others? 

Drop a comment!

I Kissed A Girl (Katy Perry)-Max Vernon

I Kissed a Girl-Starsmith (KP Remix)

I Kissed a Girl-Woodhands

I Kissed a Zipper (all three songs in a zip)

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