ONE EYED KINGS-In the Land of the Blind Man (EP)

Posted on February 6th, 2011 by ekko

There are thousands of free albums on Bandcamp, so how does a person decide to actually download and listen to one of the many?  For me, it was easy.  At least in this case.  I saw the name Hasan Salaam and hit the link as fast as possible. Salaam’s “Children of God” was one of the top 10 albums of 2008, and he’s earned my ears in a major way. True, he’s only one one of the cuts of One Eyed Kings’ 5-song EP, but that alone is worth the price (free) and time it takes to cop a listen. How does it rate?

Overall, Colorado’s One Eyed Kings are a little clunky, but their spirit and lyrics have to be appreciated. Any rapper who can spit about the war in Iraq and the Tea Party Movement making him “ashamed to be American” warrants a shout-out. This kind of hip hop is never easy to write–it’s intensely political and conscious, lacking street-machismo or humor, so it’s playing against the strengths of the genre–but they do it pretty damn well.  At least enough so I’m curious to hear what else these guys can do.

Available for free on Bandcamp.

All Roads Lead Home feat. Hasan Salaam

The Ghetto

PICTURE OF THE DAY

Posted on February 4th, 2011 by ekko

CAROL BUI-Red Ship

Posted on February 3rd, 2011 by ekko

Carol Bui looks hot and sounds hot, in a 1990s postpunk alt/rock kinda way.  But amidst all the punk you’ll hear world beats–like MIA meets Liz Phair.

“Red Ship” is Bui’s third album.

Mira You’re Free With Me

PICTURE OF THE DAY

Posted on February 2nd, 2011 by ekko

THE TWEES-These Girls (EP)

Posted on February 1st, 2011 by ekko

Like Lou Reed but wish he was less morose?  Like Tokyo Police Club but wish it had a lot more bottom and depth? Like Vampire Weekend but wish it didn’t sound like a bunch of spoiled rich kids who’ve never lived a day?

Then The Twees are probably what you’re looking for.

Their 2011 EP “These Girls” is Strokesy guitar, gritty street bass, and vocals that truly sound like young Lou.  There’s a lot you’ll find familiar, but it’s all wrapped up in a fresh and crisp package that makes the most of its parts, so that it’s neither derivative nor predictable.

I love this EP.  I get about a dozen submissions a week.  Many I don’t even get to hear all the way through.  Others I like enough to review, but know I’ll never listen to again.  This is the first submission of 2011 that I intend to actually keep.

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