FEAR ITSELF! or: Stop Your Bitching, Everybody!

Posted on April 18th, 2011 by ekko

I’ve read a few complaints already about Marvel Comics’ current “event” title, Fear Itself.  The comic focuses on Captain America and Thor, with major roles by Iron Man, Hulk, and some major Marvel mutants.  The complaints I’ve heard are all pretty much the same: “Gee, ain’t it a coincidence there’s an event about Cap and Thor when they both got movies coming out this summer?”  (It’s spoken sarcastically.)

Here’s my response: Duh!

Look, Marvel sells over 65% of the comic books in this country for a reason: They know how to market.  They’ve always known how to market.  And if I had two major film studios (remember, Disney ain’t behind X-Men: First Class) promoting my characters, you can pretty much bet I’d get as much of them as I could on the stands, stat!  It’s a no-brainer.  But more to the point: Thank God for Marvel!  How many of you got into comic books for the first time reading “Criminal,” or “Sweet Tooth,” or “Morning Glories,” or “Cerebus The Aardvark,” or “Dreadstar?”  I’d bet zero.  But how many got into comics because of Spider-Man or The Avengers?  A lot more, I’d bet.  If Marvel ever forgets how to reach new readers, we’re gonna lose the smaller comic shops.  We’re gonna lose the indie books that all the indie snobs read while they sniff and snort about how Marvel sucks.

As for the book itself, Fear Itself is two issues in: A prologue and issue #1, and so far it’s mostly set-up.  But the foundation is being laid with plenty of action mixed in the concrete.  And I’m digging the irony of Sin, Red Skull’s daughter, being possessed by a God who, too, has daddy issues.  Plus, you’ve got to hand it to Marvel: If this is a sell-out event just to tie-in to a movie or two (or three), at least they’re using less mainstream characters and fitting it into Marvel’s complex continuity.  It’s not like they just plucked the heroes off the street, threw them on a distant planet, and told them to all fight.  (Having said that, Marvel Super Hero Secret Wars kicked ass.  Face it, it just did: It was the first real “event” book and it rocked the planet.)  And so far, the story is self-contained.  In fact, the companion book is all but irrelevant.  You can read it if you want, but you really don’t have to.

So, if this gets a few new readers out there or generates just a little bit more press than it otherwise would due to the movie hype, I’m all for it.  The printed word is dying a slow, painful death, and I’m not ready to see my favorite artistic medium die.  Plus, I just dig superheroes.

DC’s doing a similar thing, too, with a new big Green Lantern event coming just when the movie hits.  It just makes sense.  God bless ‘em.

EVALINE and THE WINDUPDEADS

Posted on April 18th, 2011 by ekko

THE WINDUPDEADS-Army of Invisible Men

One of the great things about being on the mailing list for indie promoters The Planetary Group is that you get all kinds of variety in the solicits.  Like take this pair.  First,there’s Sweden’s The Windupdeads‘ sophomore release, Army Of Invisible Men, who may sound a little familiar to you (their power-pop rock appeared on “Gossip Girl” and the highly underrated Disney Family show “Kyle X/Y”).

It’s pretty straightahead indie pop/rock, which is what you generally get from Sweden: well produced, crisp, with tight hooks.  Nice and fun.

Don’t Let Go-The Windupdeads

EVALINE-Patterned (EP)

Then there’s Evaline.  Here we find music that hews closer to Interpol’s brand of shoegaze–atmospheric guitars, a powerful backbeat, dramatic and expressive, soaring vocals that actually reminded me quite a bit of that scary baldheaded Australian from Midnight Oil who looked like he belonged on The Hills Have Eyes.  Evaline’s EP, Patterned,is definitely worth a listen or two.  It’s intense, focused, and dramatic–and even a little edgy, which makes it a step above typical “boring” shoegaze and gives it a sense of urgency and grit.  Good stuff.

Beneath the Fire

 

2011 EISNER AWARDS

Posted on April 17th, 2011 by ekko

The nominees for this year’s Eisner Awards have been announced.  Only the biggest of nerds really care.  So if you’re not them, skip this post.  I bet the next one will have a funny picture, anyway.  But if you’re one of my nerdy faithful, hit the break for my take on some of the major categories…..

Read the rest of this entry »

GRATEFUL DEAD AND JOAN OSBORNE

Posted on April 17th, 2011 by ekko

I loves me some Dead, and this “show” is a true keeper.  Compiled by a fan, it contains all songs sung and performed by Joan Osborne, her band, and the Grateful Dead.  There’s tons of fan favorites and rarities in here, like the Beatles cover She Said She Said, Mr. Charlie, Addicts of My Life, Stella, Queen Bee . . . And the sound quality is fan-nomenal!

So, any love left for Jerry’s former band?

Disc One
1. Queen Bee 8:48 (Tweeter Center, Mansfield, MA, June 22, 2003 – Laford)
2. She Said She Said 4:03 (Oakland-Alameda County Coliseum, Dec. 30, 2003 – Unknown)
3. Built To Last 4:27 (Verizon Wireless Amphitheatre, Virginia Beach, VA, June 17, 2003 – Burns)
4. Casey Jones 6:29 (Merriweather Post Pavilion, Columbia, MD, June 18, 2003 – Carlson)
5. Mr. Charlie 5:27 (Saratoga Performing Arts Center, Saratoga Springs, NY, June 20, 2003 – Doughty/Cole)

6. Comes A Time 9:36 (Tweeter Center at the Waterfront, Camden, NJ, June 27, 2003 – Suraci)
7. All That You Are 7:04 (Verizon Wireless Music Center, Noblesville, TN, Aug. 5, 2003 – SMadigan)
8. Night of 1,000 Stars 8:08 (St. Pete Times Forum, Tampa, FL, July 30, 2003 – Unknown)
9. Lovelight 9:24 (Tweeter Center at the Waterfront, Camden, NJ, June 27, 2003 – Suraci)

Disc Two
1. China Doll 9:02 (Tweeter Center at the Waterfront, Camden, NJ, June 28, 2003 – Suraci)
2. No More Do I 7:04 (Darien Lake, Darien, NY, Aug. 8, 2003 – Suraci)
3. Peggy-O 7:13 (Darien Lake, Darien, NY, Aug. 8, 2003 – Suraci)
4. Reuben and Cherise 6:54 (Darien Lake, Darien, NY, Aug. 8, 2003 – Suraci)
5. Morning Dew 12:47 (Verizon Wireless Music Center, Noblesville, TN, Aug. 5, 2003 – SMadigan)
6. Days Between 15:07 (Red Rocks Amphitheatre, Morrison, CO, July 6, 2003 – Evans-Sacks)

Disc Three
1. Stella Blue 8:37 (Jones Beach Theatre, Wantagh, NY, Aug. 9, 2003 – Traietta/McCreary)

2. Jam > 3:28 (Oakland-Alameda County Coliseum, Dec. 30, 2003 – Unknown)
3. Space > 5:24 (Oakland-Alameda County Coliseum, Dec. 30, 2003 – Unknown)
4. Sugaree 14:03 (Oakland-Alameda County Coliseum, Dec. 30, 2003 – Unknown)
5. Organ Donor Rap > Band Intros 3:36 (Oakland-Alameda County Coliseum, Dec. 31, 2003 – Phopely)
6. It Must Have Been The Roses 6:31 (Oakland-Alameda County Coliseum, Dec. 31, 2003 – Phopely)
7. Attics Of My Life 7:08 (Verizon Wireless Music Center, Noblesville, TN, Aug. 5, 2003 – SMadigan)
8. We Bid You Goodnight 3:39 (Saratoga Performing Arts Center, Saratoga Springs, NY, June 20, 2003 – Doughty/Cole)
9. Brokedown Palace 6:07 (Erie Canal Harbor, Buffalo, NY, June 27, 2009)

ZIP

ALT ZIP LINK

PICTURE OF THE DAY

Posted on April 16th, 2011 by ekko

HANNAH vs. ARTHUR

Posted on April 16th, 2011 by ekko

Comparing two movies that should be recognized for their trailers: One was a horrible movie with a terrific trailer, the other was the opposite.  Yet both were the same in so many ways . . .

One word, eponymous title One word, eponymous title 


The star is relatively unknown foreign actor with only one prior major film The star is relatively unknown foreign actor with only one prior major film 

 

Had a completely misleading trailer (All six of the good jokes in the movie were in the trailer) Had a completely misleading trailer (The trailer made it look like a chick flick, instead of a fast-paced thriller along the lines of Bourne Identity) 


Is about a person with a completely sheltered childhood coming out of his safe environment for the first time (only Arthur never truly confronts his new environment—the film cops out)

 

Is about a person with a completely sheltered childhood coming out of her safe environment for the first time (only Hannah is filled with wonder, not fear)
The main characters have accents (but their non-American-ness is distracting, and never explained) The main characters have accents (which is relevant—the film is about what’s foreign and unfamiliar)

 

Is not funny Is not funny

 

The villain is an overpowering woman with lots of resources at her disposal

 

The villain is an overpowering woman with lots of resources at her disposal
Sucked Was really, really good

THE TREWS-Hope and Ruin

Posted on April 16th, 2011 by ekko

I don’t know why, but when I popped The Trews in my player I thought they’d be a punk band.  Their name just sounds punky.  But they’re far from it.  This is 1970s AM-radio friendly indie pop, like Blind Melon or Train.  Hope and Ruin is the fourth albumfor this Toronto band,who used to have a major label contract but, from the looks of things, are now on their own. used to have a major label contract but, from the looks of things, are now on their own.

Check ‘em out!  Support DIY artists!

One by One

PICTURE OF THE DAY: Happy Taxes Day Edition!

Posted on April 15th, 2011 by ekko

PICTURE OF THE DAY: Funny Fridge Notes

Posted on April 14th, 2011 by ekko

You can find lots of these here.  They’re hilarious!

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