NOW THAT’S A TRANSFORMER!

Posted on February 10th, 2012 by ekko

transformers

Source.

LEIF(kolt) & Dusty Nix-Nothing for the Vultures (EP)

Posted on February 9th, 2012 by ekko

This one is just weird.  It’s gritty electronica hip hop with rapper LEIF(kolt) who tends to spit, growl and hiss more than rap, and San Diego producer Dusty Nix.

Get the EP as a digital download here.

Here’s a vid of the best cut off the EP.

PICTURE OF THE DAY

Posted on February 8th, 2012 by ekko

It’s funny because it’s true.

TWEET OF THE DAY

Posted on February 7th, 2012 by ekko

WATCHMEN (BEGINS) AND OTHER COMIC NEWS-OF-THE-WEEK

Posted on February 7th, 2012 by ekko

Duh.  The headline is that 25 years after-the-fact, DC finally decided to snatch the money off the table.  Alan Moore and Dave Gibbons’ Watchmen is the bestselling graphic novel of all time, and there’s good reason for it: It’s a piece of art with mystery, politics, philosophy, and (of course) action and violence, told using characters with depth and weight.

So why do prequels and fuck that all up?  Simple.  $$$

Yeah, there’s a lot of talent attached to the seven 4-issue minis that will each focus on a particular Watchman, but I can’t imagine why this story needs to be told.  Dave Gibbons graciously calls the project a “tribute” to the originals.  As you can imagine, Moore hasn’t been as kind—he calls it “shameless…confirmation that [DC Comics is] still apparently dependent on ideas that I had 25 years ago.”  Fans of comic history will recall that it is this precise book that led to Moore’s exit from the “big two” once and for all when DC stopped paying him royalties.  15 years later, still angry, he rebuffed DC’s offer to give him back the rights to his (entirely original) characters if he would take up the prequel/sequel project.  He refused because he’d done what he wanted to do with the Watchmen characters and didn’t want anyone else playing in his sandbox either.

I’m not saying I agree with Moore: When, as a creator, you agree to sign with a publisher and create stuff for them, it ain’t yours no more.  Can you imagine if Stan Lee threw a hissy fit every time someone worked with Spidey?  Or what if Alan Moore himself hadn’t rejiggered Charlton Comics characters to create the Watchmen in the first place?  Or what if they stopped using American Gothic knockoffs in commercial projects?  (Okay, he’s got me there.)

Moore’s kind of a nutbag.  Genius, but nutbag.

So now, DC has finally decided that they don’t need no stinkin’ Alan Moore.  I pray they’re wrong, but I’m practically certain that they are wrong and they do need him.

Here’s the lineup on the various books.

  • Rorschach.  Everybody’s favorite Watchman.  By Brian Azzarello and Lee Bermejo, who previously worked together on the fairly good “Luthor” miniseries.
  • Minutemen by Darwyn Cooke (writer and artist).
  • Comedian by Azzarello and J.G. Jones.
  • Nite Owl by J. Michael Straczynski, Andy Kubert and Joe Kubert.
  • Ozymandias by Len Wein and Jae Lee (Underwire),
  • Silk Spectre by Cooke and Amanda Conner.
  • Dr. Manhattan by J. Michael Straczynski and Adam Hughes.
  • As a back-up feature (God, I hate backups, but at these are only 2-pages per issue) Crimson Corsair will be serialized, written by Len Wein and drawn by John Higgins, who was the colorist on the original Watchmen.  Oh, the irony.  Alan Moore completely transformed Len Wein’s Swamp Thing character and made everyone forget about Len, and now Wein is taking on Watchmen!

 

The only ones I’m really interested in reading are Rorschach and Dr. Manhattan (because I want to see how JMS handles that).  Oh, and Silk Spectre.  Because I’ll read Amanda Conner drawing just about anyone’s boobs.

Now hit the break for more news you can’t use, about X-Men First Class 2, Spider-Man and the Avengers flicks, Robocop, and more….

Read the rest of this entry »

OCEAN CITY DEFENDER-The Golden Hour (EP)

Posted on February 7th, 2012 by ekko

atari

Ocean City Defender is distributing their new EP on Bandcamp at the “Name Your Price” rate (which includes, of course, zero bucks).  If there was a category of music called “indie 1980s,” it would fit.  The mellow waves flow like Simple Minds, New Order (but smoother), Yaz, etc.

Good stuff!

MOVING PICTURE OF THE DAY

Posted on February 6th, 2012 by ekko

PICTURE OF THE DAY

Posted on February 5th, 2012 by ekko

PICTURE OF THE DAY

Posted on February 4th, 2012 by ekko

It really looks like he’s saying “Bitches…”

MOON KNIGHT ENDS AGAIN

Posted on February 4th, 2012 by ekko

boobs

As a kid, I loved (adored!) Doug Moench and Bill Sienkiewicz’s Moon Knight book.  It was absolute dark-hero bliss, and everything I wanted Batman to be but, at the time, what Batman simply wasn’t.  Brian Michael Bendis and Alex Maleev’s Moon Knight book is at least the seventh “reboot” of the title since the first one, and now this one is ending at #12.  I haven’t loved this run, but I haven’t hated it, either.  And at least it was different.  Previous reboots have tried to make the character into various levels of dark/violent/psycho.  They haven’t all been bad (but several were), but those that weren’t bad weren’t all good, either.

THE TOP FIVE MOON KNIGHT RUNS

5.  Early Appearances.  Moon Knight started  in 1975 as a guy with parachute sleeves who hunted Werewolves.  Designed by Doug Perlin, the character had a ways to go appearance-wise, and he wasn’t developed very much in these early appearances.  Still, even in these developmental early days he

If you buy a collection of old MKs, make sure it also reprints the covers...

immediately stole the show; he was one of those side-characters for whom you’d buy a comic just to see him.  See: Werewolf By Knight #32-33; Marvel Spotlight #28-29; Peter Parker the Spectacular Spider Man #22-23.

4.  Moon Knight Vol. 6 (ongoing).  This is Bendis and Maleev’s complete reimagining of the character.  It’s fresh, it’s different, but it just isn’t as innovative as what Moench did thirty years earlier.

3.  Moon Knight Vol. 5 (2006) #1-13.  Charlie Huston came the closest to matching Doug Moench in terms of writing about a character rather than a concept, and it didn’t hurt that he had David Finch on the art.  But this is a very, very dark and psychological comic.  Be warned.

2.  The Hulk! Magazine (backup features).  The first glimpses of Moon Knight sold comics, so they made him a back-up feature in the oversized, overpriced Marvel magazine.  These stories were more in depth, and we got to learn a lot more about the character.  The stories were also ahead of their time in terms of their depth and weight.  Moench wrote them all, and Sienkiewicz drew most of them.  Clearly, they are the masters of Mark Spector.  See:  Hulk! Magazine #11-15, #17-18, and #20.

1.  Moon Knight Vol. 1 by Moench and Sienkiewicz, issues 1-25.  This was the first book to be pulled off the newstands due to low volume sales and sold only directly to comic book stores.  Even that couldn’t save it, and the book died at issue #38.  I’m only including the first 25 issues because after that the book did begin to wane significantly.  Also, I’m recommending you actually go purchase the individual issues or that if you buy a collection you make sure it’s got Bill’s amazing covers.  Whenever this book came out, I’d hang it on my wall.  Just about every cover was frame-able art.

THE WORST MOON KNIGHT SERIES OF ALL TIME

Just for giggles, I’m making naming Shadowland: Moon Knight #1-3 here.  Because I can’t miss a chance to call out anything with Shadowland in the title.  Worst event ever.

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