RARITIES BY THE BEST BANDS OF 2008-Part Two
Posted on 12.26.08 by ekko @ 10:00 am

Part one.

And while you’re here, don’t forget about Swag Corner in the upper right of this page. Cool condom prize!

Hibernation & Ditch Live At The TSR SXSW Showcase-Blood on the Wall (#19, Best Album)

Blue Jeans & White T-Shirts-Gaslight Anthem, B-side from the Senor and the Queen single (#6, Best album)

One (Blake’s Got A New Face) [Vampire Weekend Cover] Mystery Jets with Natty. I was an inch away from making Mystery Jets an entry for best album, but there were just a few too many clunkers on the record. Close call, though. (#9, Best album)

Luna (Bloc Party cover)-Death From Above 1979 (#11, Best album)

Exit Music (For a Film) (radiohead cover)-Vampire Weekend. (#9, Best album)


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RARITIES BY THE BEST BANDS OF 2008-Part One
Posted on 12.21.08 by ekko @ 4:34 am

Here begins a series I’ll continue until the end of the year: Rare tracks by bands who I picked as being the best of this year (see “2008-Best” tab at the top of this site). You need to buy their records but, even if you do, you won’t find these cuts on them.

Dig it.

LES Artistes (grahm zilla remix)-Santogold (#3, Best album)

I’m On Fire (Bruce Springsteen cover)-The Gaslight Anthem (#6, Best album)

She Spitzer Swallows-AC with Client Number 9. If there were a best political single, this would surely be a candidate, recounting the Elliot Spitzer scandal with the appropriate level of humor . . . And crudeness. (#10, Best mixtape)

Joe Budden Dis-Jay-Z (#3, Best mixtape)

Hang Me Out To Dry (Cold War Kids Cover)-Kate Nash (#14, Best album)


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THE BIGGEST COLLECTION OF 2008 COVERS IN THE BLOGOSPHERE-A to Z (Part Two)
Posted on 12.16.08 by ekko @ 8:13 pm

We’re continuing this celebration of 2008 covers from the Archive. Here’s part one.

J is for Staple it together > whole lotta love-Jack Johnson (Led Zeppelin cover) I’m not a huge surfer music fan, but I think JJ is generous to provide his material, and his covers are cool, laid back funk.

K is for Karma Police-Citizen Cope (Radiohead cover).

L is for Freebird (Lynyrd Skynyrd)-Hayes Carll.

L is also for Lips Like Sugar (Echo and the Bunnymen)-Smashing Pumpkins

L is also for Purple Rain-Lingo Live (Prince Cover). Yeah, it’s a little cliche. But Prince is always cool.

M is for Roses are Free-Moon Taxi (Ween Cover)

N is for the great band behind Grace. Pain in my Heart (Otis Redding Cover)-Grace Potter and the Nocturnals. N is also for No Sugar Tonight-Keller Williams (Guess Who). I love this song. This version is kinda weird, but it’s cool.

O is for Ophelia-Animal Liberation Orchestra (Band Cover). ALO are so cool. Every time I check out a show of theirs, I’m never disappointed. I mean, who’s doing Band covers these days?

P is for Set the Controls for the Heart of the Sun-Smashing Pumpkins (Pink Floyd). SP are the biggest name in the archive, by far, and they have an open taping policy. Awesome. Too bad their last album sucked. But I dig ‘em so much, they’re the only band on here this many times. And there’s more Pumpkins to come!

P is also for Peace Like a River (Paul Simon)-Spoon.

Q is for Fat Bottom Girls-Hayseed Dixie (Queen).

R is for Sympathy For The Devil-G Love and Special Sauce (Rolling Stones). This song always makes me think of my Senior year in High School, when I first heard it on a bus to Canada, where later a couple kids from our school would burn down a pizza parlor and our school would be barred from ever going back . . .

R is also for Communications Breakdown-Rose Hill Drive (Led Zep) In my opinion, these guys do the best Zep covers in the universe.

S is for a Standard at Speahead Shows, including the theme to Sesame Street and a Song by Sublime. What I Got/Sesame Street-Spearhead (Sublime).

S is also for See You Later, for part 3–the final part!


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THE BIGGEST COLLECTION OF 2008 COVERS IN THE BLOGOSPHERE-A to Z (Part One)
Posted on 12.15.08 by ekko @ 5:47 am

Lots of the time, when I’m looking for a song or examples of a band’s catalog, I turn to the archive. It’s a fount of great stuff, and these are the best covers of the lot for this year. And by “best,” I mean most interesting. And by “the lot” I mean the ones I was able to find.

And this post is so big, I’ve busted it across more than one post…

A is for A Little Less Conversation-Ha Ha The Moose (Elvis Presley). Check these guys out. HHTM are a solid band you’ve probably never heard of . . .

B is for Hallelujah (Leonard Cohen Cover)-Annie Bethancourt. There’s been lots of covers of this tune, but Bethancourt’s is one of the best. Her voice is perfect.

B is also for The Band. The Weight (The Band)-Little Feat. Yes, Little Feat is STILL around!

C is for Come Together-Carbon Leaf (Beatles cover). One of the best basslines in rock and roll history.

C is also for Powderfinger (Neil Young)-Cowboy Junkes. I’ve always loved this version. It’s so haunting.

D is for Danger! Maybe I’m Amazed (Paul McCartney and Wings)-Harvey Danger, with guitar solo by Jon Brion.

E is for All The Young Dudes (Mott the Hoople)-Alejandro Escovedo. Such a tremendous talent here. You really should see him live. I’d tell you to buy his new record, but it’s on a major label.

F is for Landslide (Fleetwood Mac)-Smashing Pumpkins. An oldie but a goodie from Corgan’s group. For something a little newer . . . The Sounds of Silence (Simon and Garfunkle)-Smashing Pumpkins.

G is for Loving Cup-God Johnson (Rolling Stones)

H is for Country Honk-Hayes Carl (Rolling Stones)

I is for “I Will See You Tomorrow” for another post!


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THE 10 GREATEST THINGS ON TELEVISION IN 2008 THAT NOBODY WAS WATCHING
Posted on 12.11.08 by ekko @ 8:32 pm

10. It’s Always Sunny In Philadelphia (FX). The quality on this show has dipped quite a bit, particularly the flashback episode, but these four idiot, plus Danny Devito and featuring Devito’s ridiculous toupee, continue to crack me up.

9. Miss Rap Supreme (VH-1). MC Serch brings his legitimate hip hop credentials to a new season of his Ego Trip production. Last year’s “White Rapper” show was fun, but in a novelty kind of way because most of the guys on the show weren’t very good. This year, Yo-Yo cohosts, and the female contestants, with a few exceptions, are all pretty good. Highlights included the first elimination of Khia, who simply could not believe that “My Neck, My Back” didn’t establish her as the slam-dunk winner; and the episode where the ladies dressed up like male rap stars (although, I can’t understand how P-Diddy rates as a rapper . . .)

8. King of the Hill (Fox). Finally cancelled, this show never stopped being insightful, smart, fresh, and funny. Don’t forget funny.

7. Free Radio (VH-1). VH1’s part-improv oddball comedy about a DJ who’s a little like Howard Stern, only he says inappropriate things because he just doesn’t know any better. It sounds lame, but it’s not. It’s really, really funny, especially when guests appear to promote their various real-life projects, including stars of TV shows like Heroes and 24, as well as folks like Bob Saget, all of whom show they’ve got a great sense of humor about themselves.

6. Celebrity Rehab (VH-1). Season One was pretty good, but mostly just for the shock-and-gawk factor. This season, we saw truly moving personal discoveries by Tawny (“Julie”) Kitaen and Rod Stewart’s kid, and heard Rodney King recount the chilling and painful story of his historical beating. This is the rare example of a reality show that improved on its premise, got serious, and is at turns moving, funny, and startlingly frank.

5. Tim and Eric’s Awesome Show Great Job! The sickest, grossest, twistedest, and most inappropriate show on televions, period. Often brilliant, always shocking, and occasionally repulsive, this is the car accident you crane your neck to see. Plus, it’s full of “Hey, is that really . . . [John C. Reilly, Weird All Yankovich, etc.]” moments. Not for the squeamish

4. Life (Fox). The series “returned” after an abridged, pre-strike debut, and improved on its already great premise. Damian Lewis is fantastic in the role of a cop who spent time in jail after being framed, only to get out, sue the police department for wrongful arrest, and win back his job and over $20 million. The ongoing plot, where he tries to find out who framed him, is unnecessary and, honestly, muddled. But the individual stories are fantastic and fun, especially watching Lewis’ unique approach to interrogations (he always tells the truth, which shocks people into submission) and his Buddhist philosophy (when a girl admires his new sportscar, he gives it to her because he is unattached to the material world). The only thing that could make this show better is to lose the subplot and focus more on Lewis’ character’s trouble adapting to life outside of a cell. Unfortunately, it looks like nobody will get a chance to develop the show. It’s likely going to be cancelled.

3. Dexter (Showtime). Awesome. Adding Smits to the cast for the season was fantastic (he always raises the quality of everything he’s in). And adding Jessie from Fame was cool, too.

2. The Shield (FX). You ended it! You bastards! I would never get tired of this show. Ever. I could watch Vic Mackey connive to get more Jell-O at the old-folks home. Shame on everyone who bailed on this show and stopped watching. It caused the cancellation of the second best show on television.

1. The Wire (HBO). Which brings us to the cancellation of the best show on T.V. Sob.


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THE TOP 5 DEBUTS OF 2008!
Posted on 12.03.08 by ekko @ 4:57 am

The albums listed here are the best debuts of 2008 that weren’t quite good enough to make my top albums list, which will be coming soon. In the spirit of supporting new artists, this is a way to give shout outs to folks trying to make their bones who just barely missed being in my top 40 of the year.

solman
5. SoloMan Spectrum-Soundtrack 2 Life (Self-released) (review). Hip hop.
poms
4. Pomegranates-Everything is Alive (Lujo) (review). Indie pop.

3. Mr. Gnome-Deliver this Creature (El Marko) (review). Heavy psychedelia.

2. Calvin Badness-Go To Your Room (Milkboy Recordings) (review)

1. Clock Hand Strangle-Redshift/Blueshift (Team Grizzly) (review). Indie rock.


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THE TOP 10 MIXTAPES OF 2008
Posted on 12.01.08 by ekko @ 4:28 am

I may get hate mail over this list, so let me set a few things straight at the outset:

1. I am not a “hip hop head”. I’m just a guy who digs rap.

2. I am not a fan of hardcore, gangsta rap that just curses and threatens violence. I’m not a prude, I just don’t find it interesting. Unless it’s by Wu Tang or NWA.

3. I am so sick of Lil’ Wayne.

Oh, and one more thing: Wale won’t be on here, either. Other than clipping in Seinfeld bits, is his work really all that? I picked him as one of the best of 2008 so far (back in July), but since then I’ve had a lot more chances to listen . . . And I’m bored.

THE TOP 10 MIXTAPES/STREET TAPES OF 2008

10. AC-”This is Staten 2.” I thought AC would have blown up big this year off this tape. He spits fire, he’s got hard beats, and the what-the-fuck-else is Staten Island bringing us this year? It’s sad that this mixtape has been so slept on.

9. KYliens-Lexington Psalm.

KYliens is a mixtape of a ton of rappers out of Kentucky doing their thing over OutKast’s “ATLiens,” so the beats are indisputable. Surprisingly, though, the rhymes are universally fantastic, too. I’d never heard of any of these guys. Who knew KY could bring so much fiya?

Cop it!

8. Atmosphere-”Strictly Leakage.”

An above-ground mixtape of outtakes, being released by the label free and easy here. I’m sure I’ll get yelled at about this, but I think Atmosphere is the rare example of a rap crew that’s been getting better with age. The beats are more complex, the lyrics are less didactic and much funnier . . . And Slug has finally learned how to hit the beat, instead of attacking it.

7. DOOMED

Mike Waxx and Ill Roots present a blend of DOOM versus Jay-Z, Lil Wayne, and other well- and not-as-well-known rappers. Blends usually suck, but this one works amazingly well.

Cop it!

6. Sucka Free-Nicki MInaj

Did I post on this just for the Lil’ Kim trib in the pic? Maybe. Naw. This is hot shit. I haven’t heard a female emcee this good in a long time.

Cop it!

5. Joe Budden’s Mood Muzik 3.5 (For Better or Worse). I’ve written about Budden a lot over the years, and I’ve written about this mixtape a lot over the past 6 months, so ’nuff said. If you haven’t got it by now, go find it.

And in the meantime, check what Joe’s been up to since. A 15 minute long form rap about the state of the art today, over Marvin Gaye. If this doesn’t move you, you just don’t like rap.

Who Killed Hip Hop?-Joe Budden

4. Tanya Morgan-”Tanya Morgan is a Rap Group.”

Truly brilliant, real hip hop, with a unique perspective and philosophy, and no gratuitous bangers . . . But the remix of Jay-Z’s, “Hello Brooklyn” is fiya. Get it while supplies last.

3. Mark Ronson presents Rhymefest: Man in the Mirror. Last time I checked, Chicago’s best was offering this for free at his myspace. Go find it. Who else would have the balls to risk a lawsuit against Jacko by mixing duets with the Gloved One at all phases of his career, from kid to “adult”?

2. Top Ranking: A Diplo Dub-Santogold. Santogold made one of the best albums of the year. And this mixtape is hot, too. There’s a little bit of dub filler that I could do without, but once Diplo helps her take on The Clash, I’m sold.

1. The Nigger Tape-Nas and Green Lantern. Some of these songs ended up on Nas’ “Untitled” official major release, but some didn’t. And some are better here. If you didn’t already know, Green Lantern is probably the best in the game right now. And Nas ain’t no slouch either, for an OG.

HONORABLE MENTIONS:

Bring Me The Head of Zilla Rocca. Tight, well-put together, no annoying DJ shout-outs, and excellent production. From the Prez and co-founder of Beat Garden Entertainment

Cop it.

Russell Simmons & Green Lantern Present: Barack Obama – Yes We Can. Just because. It wasn’t all great, but bringing politics into hip hop, with mainstream artists, is a welcome change.


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THE SIX BEST EPs OF 2008!
Posted on 11.29.08 by ekko @ 10:45 am

The EP is an art form by itself. When done correctly, it should introduce a listener to a new band by showing the band’s versatility but, at the same time, the EP should have a “sound,” otherwise it’s just a sampler. Most EPs have a radio-friendly single, a couple uptempo numbers, and close with a ballad. Others are more imaginative. It’s rare that an EP is something a person would actually want to buy; to accomplish that, it must do something an album cannot, by including rare songs, live material, or by taking the artist somewhere where they haven’t gone before. One artist did this better than anyone else this year, and he’s in the number two slot.

THE SIX BEST EPs OF 2008

6. Radars to the Sky-The Big Bang (self released) (review)

I Might

Victoria

5. Let’s Fucking Wrestle-In Loving Memory Of (Stolen) (review). This entry might surprise you: Frat rock!

4. Tulsa-I Was Submerged (Park the Van) (review). True indie rock and roll: Moody, dark and dreamlike.

Shaker
Rafter

3. Living Legends-The Gathering (Alternative Distribution Alliance) (review). Murs, the most famous member of the Living Legends collective, has gotten a major label contract, but he wasn’t above being part of this great pass-the-mic EP, showcasing the skills of this most excellent, most underrated underground rap crew. Buy it!

She Wants Me

2. Joseph Arthur-Four EPs (artist’s label). One for each season of the year, Joseph Arthur ambitiously preceded a terrific full-length album with four EPs, each of which were wholly unique. There was shoegaze (“Could We Survive”); electronic noiserock (“Crazy Rain”); grimey folk (“Vagabond Skies”); and, finally, “Foreign Girls” (indie rock).

Rages of Babylon

1. MF DOOM and Trunks-Unicron (unknown) (review).

I don’t know if this was ever commercially released, because I can’t find out anything consequential about it. But I do know that it was phenomenal. MF DOOM beats under rhymes by a relative unknown Canadian named Trunks. The content is largely cartoon and superhero, like DOOM’s own best work. Some strange things have happened with the Vaudeville Villain this year, so here’s hoping ‘09 will be better for him. And also, here’s hoping we see more of Trunks

Who’s a Hero?


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THE SUPERBEST OF 2008: THE 10 GREATEST THINGS ABOUT SUPERHEROES THIS YEAR (and the 5 worst)
Posted on 11.25.08 by ekko @ 6:11 pm

When it comes to books with pictures, my tastes are decidedly mainstream. I’ll just be upfront about that: I’m not indie for colored underpants. The same is true for my movie likes and T.V. faves. I dig, mostly, superhero stuff I can do with my two young boys, especially when it comes to reading comic books. So don’t yell at me for not putting Daredevil or Brubaker’s Captain America work here. These are the superest superhero/comic events of the past year, which happens to have been a great one for nerds like me.

Note: The Spirit was released too late to be considered for this list.


10. The Incredible Hulk. (Film.) This movie managed to meld the best of the Bill Bixby TV show with excellent visual effects and a pretty cool Abomination. No, it’s not a great movie, but it was a helluva ride. Honorable Mention: The first six issues of Red Hulk, for the pure adrenaline value.

9. Reruns of Batman. (TV.) After years of legal hassles, and still no DVD in sight, some tiny cable network, American Life, finally gets the rights to broadcast the 1960s Batman series. In color! I don’t know how they did it, but kudos. Now where the fuck is the boxed set of 100 percent West?

8. Marvel Apes. (Comic book.) Is it stupid and silly? Yes! Is it also bizarrely neat, especially seeing the covers of every Marvel title done ape style? Absolutely. Unexpected, weird, and the strangest series I’ve read in years. I loved it.

7. Cartoon Network and Jetix. (TV.) Although it is hard to forgive the fact that they no longer show Teen Titans Go!, the greatest kid superhero toon ever, these networks collectively brought us television premiers of Justice League: The New Frontier (great!), Dr. Strange (very good!), and Iron Man (good, not great!) animated films, as well as the Next Avengers (lots of fun!), all the while running reruns of the great Batman: The Animated Series, Superfriends, Ultimate Spiderman, the Iron Man and Hulk short-lived series, every version of Fantastic 4 cartoon shows and several Superman cartoons, as well as the great Spider Man and X-Men animated serieses. Never a dull moment.

6. Wanted. (Film.) I didn’t expect to like this, didn’t want to like this, but fucking loved it. It’s like the Matrix with a hotter chick and a less-incomprehensible story.

5. Batman: Brave and the Bold. (TV.) A cartoon for kids, with heroes like Green Arrow, Blue Beetle, and Plastic Man, humor, and well-drawn “safe” animation. There have been new Batman cartoons just about every year for the past decade, and this one is among the best.

4. Superman. (Comic books.) Between Action Comics, Superman, and Superman/Batman, D.C. has put some awesome talent to work on what used to be their most famous, most boring character. Great storylines included a Bizarro story arc, the hunt to destroy all kryptonite on Earth, and the story of Braniac and Kandor, which led to the release of New Kryptonians all over the Earth. And this is to say nothing of the Grant Morrison material. I’m hearing, though, that Superman soon will leave Action Comics for the first time since he was created, and that the character will be leaving Earth. Et tu, D.C.? Have you learned nothing from Marvel’s horrible mistakes in killing Cap and making their universe a hopeless place?

3. Hellboy 2 and Iron Man (tie). (Films.) Yes, I know that Iron Man made tons of women happy to see a super-flick, and it deserves high praise for that. But the film had two big weaknesses: First, it had no villain. This led to a lack of climax. Second, as good as the director was at letting Robert Downey have room to be a brilliant Tony Stark, he just can’t film an action sequence. The big fight at the end was dark and impenetrable and, throughout, Iron Man’s movements were hard to follow. But these areas, direction and dramatic villainy, are exactly where Hellboy 2 was a work of chaotic comic art. Of course the acting in Hellboy can’t compare to Iron Man, and the story lacked depth, but Hellboy 2 was tons of fun and is the rare example of a sequel that outshines its predecessor. Two great films, one slightly overrated (but not by much), and one vastly underrated.

2. The Amazing Spider Man: Brand New Day. (Comic Book.) At first, the idea of magically wiping out the huge mistakes made in the life of Marvel’s flagship character over the past years (giving him a black costume and then a robot costume, unmasking him, letting him get married, etc.) seemed like a tremendous cop-out. But fortunately, the crew behind this project has brought back the humor, the suspense, and the brilliant color that made the red-and-blue nerd so much fun to read back in the late 1970s. This is what comic books should be: Something a ten-year-old can read and enjoy, without feeling like he’s being talked down to, and something an adult can read and remember days of lying on the floor dipping Chips Ahoy in milk and wondering how on Earth to survive the 30-day wait until next issue. Best part: It publishes three times a month, as a bow to the impatient internet generation.

1. The Dark Knight. (Film.) Duh.

THE WORST THINGS ABOUT DIGGIN’ SUPERHEROES IN 2008

5. Smallville. (TV.) How did a show that came off its best season ever last year, so quickly go off the rails? And firing Lana Lang should have made it the best show ever! Note to D.C. Comics: The last Superman movie sucked hard. Let Superboy get the costume on this show. It won’t take viewers away from your films, any more than Lois & Clark stole audiences from Richard Donner, and superhero stories are better told in a serialized, episodic format. And as for your rumored replacement show, Grayson? Please don’t. God, please don’t.

4. Heroes. (TV.) Too many heroes. All feel tortured. None enjoy having abilities. Themes and stories that are derivative of X-Men, The 4400, and other, better shows. The show lost it’s way last year and never came back.

3. Speed Racer. (Film.) No story, blinding visuals, terrible acting . . .

2. Fox Ends Saturday-Morning Cartoons. (TV.) Granted, Fox hasn’t had a great toon in a long while. But still. It’s the tradition of it all. Now they’ll be running infomercials instead. I guess kids will have to go play outside

1. Skaar: Son of Hulk. (Comic book.) Planet Hulk was one of the greatest comic book sagas of the past thirty years, but it was obviously derivative. Still, Marvel got away with it because the book was so awesome. Then they make this cheap knock off that looks like Conan, only green. And stupid.

Runner up: Cloverfield. A movie that literally made me motion sick.


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THE 10 BEST ALBUMS OF THE YEAR SO FAR
Posted on 08.03.08 by ekko @ 1:38 pm

Passion of the Weiss is one of my favorite weblogs out there. It’s consistently witty, insightful, creative, and educational. Plus, Jeff is a swell guy. But when I read his picks for the 10 best hip hop albums of the half-year, I had to disagree. With about half of ‘em.

But mostly, when I read the list I realized–holy crap! It’s August! The year is almost half over and I haven’t made a retrospective list yet! That’s what bloggers do! It’s our entire reason for being: Constantly categorizing and taking inventory!

Also, since this is the first original post on my new site, I thought this would be a good way to let new readers know what my tastes are. If you hate these records, you’ll probably hate this blog. But if you dig ‘em, then this might just be a new corner for you to hang one.

So, here’s: The 10 Best Rap Albums of the Year and the 10 Best Rock Albums of the Year. So far. Regular readers know I keep a running tally of every album I’ve heard this year that impressed me enough to note it. You can find that tally here. So these are the creme de la creme.

THE 10 BEST ROCK ALBUMS OF THE FIRST HALF OF 2008

10. Tie: The Grand Archives-Self Titled (review) and Blood on the Wall-Liferz (review). Both strong records, but polar opposites of the indie spectrum. BOTW makes rugged music with soft edges, Grand Archives makes light pop with intelligent lyrics. Two great tastes that go great together!

Miniature Birds-Grand Archives

Hibernation-Blood on the Wall

9. The Rural Alberta Advantage-Hometowns.

The Rural Alberta Advantage are a Canadian indie-rock/Americana trio with a sound not unlike Centro-Matic. I found them thanks to a reader submission, but I’ve been unable to learn much about them. Far as I can tell, they’re unsigned. Which is a damn shame, because their debut record, “Hometowns,” is adventurous, full of hooks, and a pleasure from start to finish.

The opening track, “Ballad of the RAA,” is electronica-meets-country, a refreshingly different take on what has become the pretty standard indie genre of Americana. Lots of folks discuss the huge influence of Brian Wilson on indie rock, but one can make the argument that Van Morrison and his successors (Counting Crows, e.g.), have been an equally important force, and Rural Alberta Advantage clearly borrow heavily from the latter. But other cuts, like “Drain the Blood,” dump the electronica and instead go for earnest, overwrought vocals. Then “Luciano” comes on with fuzzy punk and blurry drums. Yet every song is instantly familiar, and completely accessible, as all great pop should be.

This album will keep you guessing, but will never leave you behind.

Don’t Haunt this place

Luciana

Frank, AB

Sleep All Day

In the Summertime

8. Diacon-Panthers-Make It Feel Better (review). Right after I wrote about a href=”http://www.diacon-panthers.com/”>Diacon-Panthers , they got signed by an indie label, so I have a kind of sentimental attachment to them. Plus, they fucking rock. Perfect for a party in a college basement.

“Days of Wonder” starts out like grungy psychedelia, along the lines of Black Mountain, until, after a long and fascinating it descends into the sonic mess that characterizes the rest of the album: Indecipherable vocals, jangling guitars that seem to fight each other as often as they harmonize, and a drummer who apparently snorted all the speed in Knoxville. This is a group who seem to constantly battle any sense of melody or harmony. Even when they slow down, like on “Actress,” the vocals have a nasal, “Blind Melon” quality that’s jarring. In fact, jarring is probably the best word for this Americana Punk band. This band, and others like them, are the reason I got into blogging in the first place.

St. Anthony

When It Comes To The Night

St. Anthony

7. Black Mountain-In the Future. I’m sure I’m not alone in this: Black Mountain’s sophmore album, In the Future, was one of my most anticipated albums of 2008. Their eponymous first album was an amazing collection of rough-hewn psychedelia (they call it “psych-and-prog-spiritual” in the press release). Southern grunge with extended jams and obscure lyrics: Sort of a Drive-By Truckers for the Deadhead set. “In the Future” does not disappoint. “Stormy High,” the first song, is a raucous singalong that’s as good as anything off their first record. “Angels” gets a little lighter, with it’s bright falsetto. “Tyrants” is the first extended jam on the record, a nearly 8-minute opus that erupts out of a whisper-quiet opening, like Black Sabbath covering the Foo Fighters. “Stay Free” is almost pastoral, a sweet surprise on an otherwise fairly grimey album. (If it sounds familiar, that’s because it was featured on the soundtrack to Spiderman 3.)

Tyrants

6. Tilly and the Wall-o/untitled third album (review). “o” sounds a little bit like the great album I always thought Tegan and Sara had in them, but they never quite made. Here, Tilly and the Wall have made their most accessible (and in my view, their best) album yet. As well as one of the best records I’ve heard all year. Like many great records, TATW’s third release, sometimes called “o” because of the artwork on the cover, has no official title. I’m not saying it’s as great as The Beatles’ “White Album” or Metallica’s “Black Album,” but it is for this band what those albums were for those bands: A signal of a movement for the band, a change, and a big step forward. It is a delightful, impassioned, and completely unashamed retro smorgasbord: “I Found You” feels like The Cars; “Tall Tall Grass” could have been written by any of
the late ‘80s folkies like Tracy Chapman; “Too Excited” is the Go Gos with tap dancing; and all along the way there are bits of Sinead and any number of ‘80s legends. This is an album not afraid to show its influences without relying on clichés. It’s what music should be: A celebration.

Cacophony

5. Calvin Badness-Go To Your Room (review). It’s pure, shameless, unabashed powerpop. But it’s the most fun I’ve had discovering a new artist this year.

Aliens

Just on T.V.



4. Hold Steady-Stay Positive
(review). Back to an indie label, and as strong as ever. I just can’t get enough of this band. Go to my review, and you’ll find a whole live show with much of the new record on the setlist.

3. Thailand-The Remote Controller (review). This is an EP, so I recognize that it’s kind of like cheating–the band could release a full-length of this EP and filler. Kinda like what The Black Kids did earlier this year, when their indie EP was bought up by a label and threw a bunch of boring and/or crappy songs around what had already been on the EP. But Thailand’s first album was simply phenomenal, so I’ve got nothing but respect for the band and I’m giving them slot 3.

Trenches.

2. My Morning Jacket-Evil Urges. MMJ’s “Z” album was the best album of the year, way back then, and Evil Urges earns a place on the shelf. A fantastic album showing the amazing range that Southern funk can have when it is organically linked with jamband sentiments and a great 1970s record collection.

1. Frightened Rabbit-Midnight Organ Fight (review). I have listened to every song on this album at least six times already, and I only reviewed it in June. Extraordinary, catchy, deep, moving . . . I can’t imagine that a better album will come out this year.

Keep Yourself Warm

What, no Vampire Weekend? That’s right. Although I like the afrobeat nerd album, it just doesn’t have enough in it for me to put it in the top 10.

THE 10 BEST HIP HOP ALBUMS OF 2008 . . . SO FAR

I gave Jeff Weiss shit above, but truth be told, I haven’t heard several of the albums on his list. And picking just 10 to be the best is never an easy task. I’m saying this now in order to get mercy later. These are my picks for the 10 best hip hop albums of the first half of ‘08.

10. Santogold-Santogold. Say what you want: She’s M.I.A. the pop version; she’s Diplo’s latest fucktoy; her flow is pure pop; whatever. She’s managed to put out a female voice in hip hop, which is hard enough as it is, but this one is capable of being both conscious and mainstream, at the same time. In this way, she pulls off what M.I.A. never could. This is an album I wanted to hate, but dig more and more every day.

9. Living Legends-The Gathering. “Too many rappers overrated” begins the title track of “The Gathering,” the long-awaited new release from the Living Legends collective, and truer words were rarely spoken. It’s rare that a group of this size contains so much talent. The best known (and smoothest) of the group, is Murs, but the rest of them are underground legends in their own right: The Grouch, Luckyiam, Eligh, Scarub, Sunspot Jonz, Aesop (not Aesop Rock), and Bicasso. You also may have heard of their earlier groups, which included Mystik Journeymen and 3 Melancholy Gypsies.

Each member of the crew spits bars on every single one of the seven tracks, making every tune a pass-the-mic exercise in various styles, so it’s never tedious, never repetitive, never boring. You might think that this would make for overstuffed tunes, but there’s not a weak link in the bunch. All of the verses are funny, tough, and even occasionally moving. The production is top notch. The hooks are fire. I’m told this EP is just a prelude to a proper ’08 full-length. I can’t wait.

Buy it

She Wants Me

8. SoloMan Spectrum-Soundtrack 2 Life. More than a few tunes on this record don’t hold up. But those that do are fresh and hilarious, like Ludacris for the underground set. Even if the entire album was crap, “My 10th Drink” would be worth a ten spot. It’s got all the humor of the best D12 tracks, but without all the lame verses by anyone who isn’t Eminem. But the rest of the album isn’t crap. Much of it is inventive (“when life loses it’s meaning again/it’s just me and my pen”), crude (“she got 100 niggas DNA left in her throat”), insightful (“opposites create something so positive”), consistently surprising (“ask Pink Floyd, you’re just another brick in that wall”), and often laugh-out-loud funny. One of the most notable things about the record, in fact, is the paucity of guest shots—the only cameos here are by Serum (the other half of Mekanical Mystik, SoloMan’s duo). SoloMan is presenting his first solo project, and he’s not afraid to perform almost all of it without backup. And how many rappers you know can pull off putting beatz behind Gregorian chants? On the strength of just over half of the songs on this album, it gets my vote for being in the top 10.

Rejuvenation.

7. Short Bus Alumni-Mr. T’s Revenge. Atlanta’s Short Bus Alumni’s debut, “Mr. T’s Revenge,” is best called nostalgic new jack. It’s chock full of references to old school, but never uses a simple 808. The beats will definitely move modern butts, but should also appeal to Hip-Hop purists and older listeners. Although the group hails from Atlanta, SBA don’t get bogged down with that Southern sound. It’s six members are intelligent, versatile rappers, who can be witty without being profane, gritty without being foul, and can make party music without speaking down to their audience or relying on the lowest common denominator. On Brick Records, mostly produced by Raydar Ellis.

Short Bus Alumni “Dope Sh!t” – Brick Records (Clean)

Short Bus Alumni “Go Team Go” – Brick Records (Clean)

Short Bus Alumni “Yes We Are” – Brick Records (Clean)

6. Joe Budden-Mood Muzik 3.5 (For Better or Worse). I recognize that Buddens isn’t for everyone. He specializes in self-revealing, dark and sometimes depressing stories about his own tragic personal history–sort of like Eminem, but not over the top. You have to get version 3.5 to avoid the shouting DJ.

Still My Hood (Produced By Wyks)-Joe Budden

5. Nas-Untitled/N. Nas steps up, and over, Chuck D. to become the angriest political rapper ever. Couple that with an appearance on Colbert, and you’ve got a fly album. It’s hard to listen to all at once–so much negativity, so little humor–but I have to give respect to an O.G. who is willing to grow in his artistic message and purpose. Even if I don’t believe for a minute that he really wanted to name the album “Nigger” but that got nixed by the record company. That whole conflict seemed manufactured. But if it was, I can’t think of a nicer way to get advanced publicity. He managed to do it without creating beef!

4. Tanya Morgan-The Bridge EP

The EP in advance of the full-length. Not since Tribe Called Quest’s first album have I heard a band so able to mix message with hot beat.

How Low

3. C Rayz Walz & Kosha Dillz-Freestyle vs. Written (review).

A new Jewish rapper meets an underground rapper with years of street cred behind him. Give it a chance. It’s amazing stuff.

I Love Jews

Holiday

2. The Clipse Present Re-Up Gang. More of the same, and I’m still not sick of it. Another mixtape about selling drugs and ruling the corners. And the rest of the gang gets better on each mixtape.

1. Foul Mouth Jerk-Streetlight Music. You may not have heard of him before, but underground New Jersey rapper Foul Mouth Jerk began coming up in the 1990s, and his pedigree includes the O.G. crew GFE. He’s done shows with talents like Talib, Mos Def, and Run-DMC. He’s even recorded with the Atomic Dog himself, George Clinton. And he just released his fourth solo record, titled “Streetlight Music.” So why don’t you know who he is?

The reason may be that he’s stayed true to the underground ethic of hip hop, grinding and playing clubs, which may be why folks like Murs and Grandmaster Caz (from Cold Crush Brothers) agreed to appear on the record. It’s got that late ‘90s underground feel: Smart lyrics, scratches, samples from BDP (and plenty of other old school legends), and simple beats that stress swing over hook. The single, “Small Town USA,” featuring Masta Ace, is extraordinary. But so are tracks like “NJ Transit,”
featuring El Da Sensai of The Artifacts, and “Tryin’ To Eat,” a coming-up-on-the-scene cut. The verses are the kind of tracks you need hear over and over, because the lines are complex enough that you can’t catch them on the first or second listen. He’s witty, deep, and innovative. On being poor, he says he’s got “a broken computer/with so many viruses/it can’t even tell what time it is.” After noting that “drug dealers are people, too,” he tells of a junkie who “quit f-ing with that LSD and ecstasy/ever since they raised the penalty/it ain’t worth the energy.” And on the political track “The Decider,” he simply samples George W. and lets the man speak for himself. Not too many rappers have a dis track for the President. But more should.

FMJ just dropped one of the most interesting hip hop albums of the oh-eight. Check it out.

NJ. Transit


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