DANNY AND THE CHAMPIONS OF THE WORLD-Streets of Our Time
Posted on 02.08.10 by ekko @ 3:51 pm

“Henry the Van’ is the first cut on Australian Danny George Wilson’s latest record.  It’s a funeral for a friend, who is a car.  “Guess we could try to fix you up . . . Maybe go for an easy roll once in a blue sky . . .”  The concept may be funny, but it’s a lot more touching than most songs about actual people who’ve died.  This is a testament to Wilson’s skill, imagination, compassion, and his ability to communicate.

You may remember Danny George as the singer-guitarist of Grand Drive, a much-loved Americana group, but his solo venture is far, far more interesting.  And make no mistake: This is a Danny George Wilson production.  Despite the harmonies and quality musicianship, Danny and the Champions of the World are really a solo venture.  Wilson most closely mirrors Neil Young’s country rock phrasing, and sometimes the similarity is almost uncanny, but his voice is unique: It’s cheery and optimistic, even when singing about getting old and being sad, and it’s romantically simple.  The lyrics are direct and uncomplicated, but ring true, powerfully: “I wanna feel your hand in my hand tonight . . . Just trying to get back to what we used to be/Just trying to get back to something to believe/Looking down at these restless feet.”

If this album doesn’t make you feel something, maybe you’re dead inside.

And Juno’s got it for thirteen bucks.

Henry the Van (the second best song about a van I’ve ever heard.  The first is “Chevy Van” by Sammy Johns, available on the Rhino “Sounds of the ’70s” collection.)


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BETHANY LARSON-Sticks and Stones
Posted on 12.24.09 by ekko @ 4:49 am

Bethany Larson is at her best acoustic.  Her voice carries a whimsical, romantic ache that bounces wonderfully against the guitar strings, as she voices simple lyrics about kissing on the mouth . . . It was “Why Don’t You Come Over,” the first song on her self-published release, that sold me on this artist.  I first heard it on the train, looking at the faces of strangers, and felt suddenly a part of all of them.

Larson’s voice is sweet and clear, even if it isn’t particularly distinctive, but she really wins over the listener with her songcraft.  Stripped down with a verse-chorus-verse structure, the songs allow for the emotion and sentiment to occupy all of the earspace.  The kind of songs you want to listen to live in a coffeehouse.

It’s not like me to review this type of album—it’s not poppy, there’s no hooks, it’s honest and clean and . . . Nice.  Yes, that’s it.  Nice, emotionally honest music that doesn’t try to make you feel sad or angry or even like dancing.  It’s just about love.  It’s not insipid, but it is sweet.  It’s not cloying, but it will make you feel warm and cozy.  And I bet if you play it for your woman, you’ll get some tonight.

Why Don’t You Come Over?

But I Love Him

BONUS FOLKIEPOP COVERS!

Sister Goldenhair (America)-Counting Crows

The Same Old Song (The Four Tops Cover)-Iron And Wine


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