COUNTRY MICE-Twister

Posted on November 13th, 2011 by ekko

Brooklyn mope-rock in the house!  In researching Country Mice, I  found quite a few sites labeling their work as  “Americana,” but frankly I don’t see it.  This is straight up indie rock by a foursome with a powerful drummer, great melodies, and a guitar-and-bass-and-guitar combo that will knock your socks off.

The songs are simple, and may sound familiar at first listen.  But they’re played shockingly well, so I’m inclined to instantly forgive them for following the indie rock formula. This is an extremely promising debut.

Worn Hearts

 

COLOSSAL GOSPEL-Circles

Posted on November 10th, 2011 by ekko

If Fozzie Bear decided to become an indie rocker, he might sound something like Alabama’s Colossal Gospel.  So, if you’re unwilling to grow accustomed to a voice that sounds a little strained (and harmonies that, oddly, seem to match), this isn’t for you.  But trust me, if you stick with it, it’s worth it.  In fact, the voices sound like men trying hard to speak, fighting through either exhaustion or pain to form words, and it feels appropriate for this gospel-folk record.

I’ve listened to Circles several times now.  Gets better every time.

Get it for just five bucks–support the artist!  Plus, they covered my favorite artist from-when-I-was-ten, Pat Benetar!  And you can cop that cover for free!

Colossal Gospel – Shadows of the Battlefield (Pat Benatar Medley) by Colossal Gospel

Bitter Woman by Colossal Gospel

Bloody Boat by Colossal Gospel

Leaving by Colossal Gospel

OX-Tuco and VANISH VALLEY-Get Good

Posted on November 5th, 2011 by ekko

Two albums on the menu today…First, Ox, a DIY band out of Canada, who decided to open their record with a cover of Neil Young’s “Out On The Weekend.” It’s a bold choice, but it sets the tone for their alt-country/indie rock record: It’s a little sad, a little deep, and extremely well written. The band has been around since 2004, and their experience shows. Really, this is a fantastic album.

I’m offering the Neil Young cover below, along with a brief and beautiful instrumental. There are a few such cuts on the record, and they’re always terrific, never filler.

Out on the Weekend

Love Theme From A 70s Movie

Ten bucks on Bandcamp, and worth every penny.

Tour dates in Canda:

Nov 3 Thu KINGSTON @ The Mansion (w/ Al Tuck)
Nov 4 Fri OTTAWA @ Raw Sugar (w/ Al Tuck)
Nov 5 Sat MONTREAL @ Grumpy’s (w/ Al Tuck)
Nov 7 Mon QUEBEC @ L’AgiteE (w/ Al Tuck)
Nov 9 Wed MONCTON @ Plan B (w/ Al Tuck)
Nov 10 Thu HALIFAX @ The Carleton (w/ Al Tuck)
Nov 11 Fri CHARLOTTETOWN @ Hunters (Al Tuck)
Nov 15 Tue THUNDER BAY @ Apollo (w/ Forest City Lovers)
Nov 16 Wed WINNIPEG @ The Lo Pub (w/ Forest City Lovers)
Nov 17 Thu SASKATOON @ The Fez (w/ Forest City Lovers)
Nov 18 Fri CALGARY @ Palomino (w/ Forest City Lovers, Lorrie Matheson)
Nov 19 Sat EDMONTON @ The Black Dog (w/ Forest City Lovers)
Nov 21 Mon KELOWNA @ tba (w/ Forest City Lovers)
Nov 22 Tue CHILLIWACK @ tba (w/ Forest City Lovers)
Nov 23 Wed VANCOUVER @ The Railway Club (w/ Forest City Lovers)
Nov 25 Fri EDMONTON @ The Haven (w/ Forest City Lovers)
Nov 26 Sat REGINA @ The Exchange (w/ Forest City Lovers)

Vanish Valley, our co-feature for today, is a different experience. But not radically so. It’s laid back, with a country influence, but the voice is rougher–like Wilco, a bit. The songs are created by Andrew McAllister, formerly of the band called Conrad Ford.

It’s great when I get to write about two really good, can’t miss albums in one day. It’s a good day for indie!

Races

POLITICS-Cities (EP) and JEZABELS-Dark Storm

Posted on October 11th, 2011 by ekko

Two EPs are on the menu today, both very different, both very cool.

First, here’s the debut EP from the band that calls itself Politics.  Cities is available for download BandCamp or mediafire below.  It’s disaffected indie rock with a heavy 1990s influence.

Politics BandCamp

Get the whole thing here.


Next, a 2010 release I overlooked: The Jezabels’ Dark Storm.  It’s a female-fronted band with a great original sound.  This one’s not a freEP (sorry), but you can watch the video below.

TYLER RAMSEY-The Valley Wind

Posted on October 3rd, 2011 by ekko

Who’s Tyler Ramsey?  Yes, he’s the guy from Band of Horses and Avett Brothers.  His solo album is a gentle collection of intimate numbers on the wonderful label Fat Possum Records.  It sounds a little like Band of Horses.  Not that there’s anything wrong with that.  It’s got that Southern, soaring sound featured in every BOH tune—but without the desperation.

It’s a thumb way, way up from me.

The Valley Wind by tylerramsey

STEPHEN MALKMUS AND THE JICKS vs. TOMMY STINSON

Posted on September 19th, 2011 by ekko

In many ways, indie rock fans can be divided into two camps: Replacements fans and Pavement heads.  The two often cross paths, and, truly, you can’t be an indie rock fan without appreciating both seminal bands.  But at bottom, your heart responds most to the technically complex, pre-math rock and smart lyrics of Pavement, or the often sloppy but always emotional power of a Replacements record.  I fall into the latter camp, but not in any particularly extreme measure.  I dig ‘em both, but I’m much more likely to listen to “Tim.”

So I was thrilled to learn that 2011 would bring me new records by both Stephen Malkmus (with the Jicks, titled “Mirror Traffic”) and Tommy Stinson (“One Man Mutiny”).

The big question: Does either album measure up to the bandmembers’ prior, more famous works?

Hit the break and find out.

Read the rest of this entry »

WU LYF-Go Tell Fire to the Mountain

Posted on September 15th, 2011 by ekko

Wu Lyf, according to their website, is “four dumb kids calling out heavy longings for a place to call home, two brothers greet two brothers and play heavy pop.”  That’s as good a description as any.  No, wait.  No it isn’t.

Manchester, England’s Wu Lyf refuse all press and interviews.  The band is made up of four dudes (who are not brothers), who make frantic, hoarse, frighteningly wonderful indie rock and roll.  They (reportedly) have refused offers from several major labels—of course, that’s their own reporting saying that—choosing instead to continue forth as a mysterious new band with a sound that falls somewhere between Clap Hands Say Yeah and Nirvana.

Oh, and the name?  Stands for World Unite Lucifer Youth Foundation.  Got it?

These guys are amazing.

For fans of: Arcade Fire, Godspeed You! Black Emperor.

Dirt

THE DIRTY NILL-Fuckin’ Up Young

See, when I got the solicit to check out Dirty Nil’s first 7” vinyl single Fuckin’ Up Young, I assumed it would be a cover Neil Young’s “Fucking Up.”  It isn’t.  What it is is a raucous, riotous single.  I loved it.  The B-Side, Verona Lung, isn’t quite as good—I’d like to hear what else these guys can do—but Fuckin’ Up Young is an anthem.

Get it free here.

Fucking Up Young

ANDREW BRYANT-Honeymoon/Blackbird (EP)

Here’s a free album from a singer/songwriter with a lot of talent…It’s a little depressing; the chorus to the lead cut features fast-tempo 1980s drone with the refrain, “What about our honeymoon?”  He doesn’t add “…You bitch!” at the end, but it’s implied.

Real good stuff.

Free at Bandcamp.

BRIGHTEN-I’ll Always Be Around (EP)

If you like the Goo Goo Dolls, you might dig Justin “A Rocket To The Moon” Richards’ new project, Brighten.

I’ll Always Be Around

DAN ANDIANO IN THE EMERGENCY ROOM-Hurricane Season

Posted on August 29th, 2011 by ekko

I’ll admit it: Most of Alkaline Trio’s stuff leaves me cold.  There’s usually just a few songs per album that I find myself really digging.  That’s why I was so surprised by the first solo album from Dan Andiano, Alkaline Trio’s stalwart bass player.

“Hurricane Season” is terrific.  In fact, it reminds me a lot of Colin Hay.  It’s a collection of mostly acoustic love songs full of sadness and hope with lyrics that aren’t profound but, instead, resonate with honesty.  Whether it’s the man waiting for his girl “to say to come home” or the lost lover crying that “it’s gonna rain all day” or Andriano himself, performing in Denver, “dying while [his] baby sleeps at home”.  Andriano, both lyrically and with his amazing delivery, brings the reader into his own heartache.

Overall, the album feels like a mix of Americana, singer/songwriter folk-rock, and the occasional guitar solo.  The electric songs are spaced out evenly, and seem to be used to provide texture.  Without songs like “On Monday” and “Let Me In,” the album would feel almost too sad, too quiet, too depressing.  These songs give the record a kick in the ass right when it’s needed.

And that’s the best thing about it: It’s a record.  Remember those?  Before everyone focused on singles and collected cover songs and music became disjointed and disposable, we had albums: Thematic compositions with carefully selected and arranged songs.  This, my friends, is an album.

And a damn good one, at that.

Me and Denver

 

 

HUNNAY-The Other Side of the Coin

Posted on August 22nd, 2011 by ekko

According to Urban Dictionary, a “hunnay” is a term to address an attractive female, typically used by a newly inebriated gay Kenyan man, of East Indian descent. I have no idea why the band Hunnay chose that name.But it is fronted by two women, Laura Somers and Karen A. Witt , who make offbeat rock and blues, with top 40 harmony hooks and melodies, and lots and lots of hook.  Also, they’re from Southern Ontario, and their drummer/producer, Lee Chomiak, has worked with Burton Cummings and Randy Bachman.  That kind of heavy, driving bluesrock drives much of the backbeat here.

Check it out.

Compassion

That’s Life

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