THE TOP 100 COMIC BOOK HEROES OF ALL TIME

Posted on December 5th, 2011 by ekko

IGN published a top 100 comic book heroes that made me crazy, both in its predictability (Hey! Superman and Bats are #s 1 and 2!), overinclusiveness (every single Robin except Damian Wayne (who is the most interesting one by far), as well as Superboy and Supergirl?  Really?) and its attempts to be esoteric without providing sufficient justification (Groo makes the list, but they don’t really say what makes him so essential; James Gordon makes the list, but Aunt May and Uncle Ben don’t–nor does Jarvis; and Nova makes the list, but nobody really gives a shit about Nova).  Maybe it was the list’s sketchy criteria for placement: “Picked by their cultural impact, character development, social relevance, general cool factor, and importance of storylines, these are the best of the best.

It made me so nuts, I made my own list.  Yes, there’s a lot of overlap.  But mine is better.  Because I said so.

Note: If you’re just looking for a list without supporting arguments, you can jump to the last page of this post.  But you can’t tell me I was wrong to put Thor at #33 unless you go and read why.  So, read every page and then tell me why I’m full of $#!+.

Enjoy!

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PUNISHERMAX: A Look At The Garth Ennis Run (Part 3)

Posted on August 20th, 2011 by ekko

Today, we conclude our examination of Garth Ennis’ brilliant run on PunisherMax, in which he singlehandedly rejuvenated the character and, at the same time, played a major role in bringing comic books out of their 1990s-early 2000s slump.

Here’s parts one and two. Hit the break for today’s post–part three, and the last part in this series.

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PUNISHERMAX: A Look At The Garth Ennis Run (Part Two)

Posted on August 18th, 2011 by ekko

We’re looking at Ennis’ entire run on PunisherMax. One of the greatest runs in the history of comic books.  Here’s part one.  Part two starts after the break.

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PUNISHERMAX: A Look At The Garth Ennis Run (Part One)

Posted on August 16th, 2011 by ekko

I enjoyed writing about every issue of The Amazing Spider-Man so much, I’ve decided to review another important book: PunisherMax.  I can’t write about every issue of every Punisher book because between the miniserieses and one-shots and various volumes of “Punisher” titles there’s probably twenty or so separate series, and most of them are . . . Well . . . Shite.  I could start with the Marvel Knights Punisher revival of the series, also written by Garth Ennis, but that was a very different sort of book.  It was good, don’t get me wrong, but it was still Marvel Universe material without anything truly unique.  Good for what it was, and great to see Wolverine get run over by a steamroller, but it wasn’t a game-changer.  It wasn’t worth writing a comprehensive article about it.

No, I’m writing only about Garth Ennis’ run on PunisherMax.  Because when issue #1 of that book broke free from Garth Ennis’ violent little mind, it helped change the world.  Think about it: Marvel was recovering from bankruptcy both financially and intellectually.  New EiC Joe Quesada needed to do something, immediately, that would signal to the world that comic books—in particular, Marvel comic books—were not a dead medium.  And he delivered

Hit the break.

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For this latest collection of cool news and personal rants, we’re comparing Fear Itself to Flashpoint to see who comes out on top; reporting on Dark Knight Rising and the next Superman movie; and, generally, diggin’ the world of funnybooks.
Hit the break.

THE JUNE IN COMIC BOOK TRADES

Posted on June 30th, 2011 by ekko

What to buy, what not to buy from the past month.

WHAT TO BUY: THE TOP 5 TRADES OF JUNE 2011

These get a 100 percent solid recommendation from this city corner of the interwebs:

Honorable mention:  X-Men: Second Coming.  This gets  a mention because it’s a lot of fun.  The tale of Hope coming to the present from the future, to save all mutants.  It sounds stupid, I know, but this is where the X-Men work best: In a straight-shot storyline where there’s lots of doom and gloom and lasers and all kinds of battling.  It’s basically a long-form brawl, and if you’ve not kept up with the mutant line, you can easily jump in here.

5.  Baltimore Volume 1: The Plague Ships. Mike Mignola and Christopher Golden introduced Lord Henry Baltimore back in 2007, but now he’s got his own series.  One of the best-selling indie books of the year (#1 sold out, even though it was also offered for free comic book day).  After Lord Baltimore unwittingly releases a horde of vampires, he goes searching to destroy their leader.  Gothic steampunk horror.

4.  Marvel Universe vs. The Punisher. A miniseries that could have gone horribly wrong goes wonderfully right.  Hilarious, action-packed, and featuring some of the best Deadpool stuff I’ve ever read.  Written by Jonathan Mayberry and illustrated by Goran “PunisherMAX” Parlov.  Chris borrowed my copy of the hardcover, and still hasn’t read it.  Shame on him.  Go on, everyone shame him.  Oh, and also on sale this week (6/29) is the sequel: Marvel Universe vs. Wolverine.  Mmmmm.  Good stuff.

3.  Uncanny X-Force: Deathlok Nation (hardcover). You can wait for the paperback, if you like, but don’t sleep on this, the best X-book around.  When Jason Aaron tried to bring Deathlok back in the pages of Wolverine, it sucked.  This doesn’t.  Plus, it builds on threads extending to the first appearances of Fantomex (in Grant Morrison’s New X-Men, which is mentioned all over this post!)   Featuring Deathlok versions of Captain America, Spider-Man, Elektra, Cyclops, Venom . . . A whole buncha cool stuff.  Plus, they throw in a reprint of Deathlok’s first appearance in Astonishing Tales #25 (1974).

2.  Sweet Tooth Vol. 3: Animal Armies. If you aren’t reading this book, you’re missing one of the best Vertigo books of all time.  Truly.  It’s spooky, odd, quirky, and touching.  And Chris, if you still haven’t read the trades I loaned you: Shame on you!

1.  Batwoman: Elegy. Possibly the most visually arresting comic book produced by one of the big two in the past 10 years.  The story can be a little confusing, but it’s well worth paying attention to.  I had to post some of the interior art here–just to let you see the kind of innovative design you’re missing.

THE TOP 5 REISSUES OF JUNE 2011

In addition to some trades of recently created comic books, check out these blasts from the past:

5.  The Boys Definitive Edition Vol. 3.  Yes, these issues have already appeared in trade paperbacks, and yes $75 is a lot of money.  But this is oversized and hardbound.  Darick Robertson’s art is worth it, don’t you think?

4.  The Impossible Man.  Everyone’s favorite imp, in every appearance drawn by Jack Kirby.  It includes his first appearance in Fantastic 4 #11 (written by Stan the Man), his best appearance in FF #176, my favorite issue of Spider Woman (#45, from 1978), and the best X-Men Annual ever (#7).  Among other things.  Yes, the late 1970s through the mid 1980s were a fantastic time to be reading comics.

3.  New X-Men by Grant Morrison Book 2. The only flaw in this is that it’s “digest sized”—slightly smaller than the average comic book.  But I’ve always said that Morrison’s New X-Men run was about the words, not the pictures.  (Although the issues drawn by Frank Quietly are pretty good, they’re not his best—and I’m not a big Ethan Van Sciver fan.)

2.  Daredevil: Yellow. From the days when the name Jeph Loeb meant something, with art by one of the best: Tim Sale.

1.  Creepy Comics Vol. 1. Reprinting the first four issues of Dark Horse’s reboot of the pre-code horror title, and featuring the work of folks like Doug Moench, Bernie Wrightson, Angelo Torres, Mike Woods, and Jason Shawn Alexander, among many others.  I saw this at my local shop (Victory Comics in Falls Church—holla!) and almost bought it immediately.  But then I remembered I needed to have money for dinner that night.  Maybe next time.

ONE  I WANNA BUY, BUT DON’T KNOW MUCH ABOUT:

Osborn: Evil Incarcerated. The story of Norman’s life in prison.  I don’t know much about it, but I love the writer (Kelly Sue DeConnick, who wrote the under-read and under-rated Sif miniseries) and the artist (Emma Rios, who is freaking amazing).

THREE NOT TO BUY

Spider-Man: The Original Clone Saga.  The only Spidey story so bad they had to re-make it.  Seriously, this is terrible.  Don’t even be curious.

Daredevil: Reborn. Because Shadowland wasn’t enough to convince Marvel to kick Andy Diggle off of this title.

Uncanny X-Men: Quarantine. Okay, this actually isn’t a horrible book, but what makes me crazy is that Marvel thinks I have amnesia.  Am I supposed to completely ignore the fact that Grant Morrison did a virtually identical storyline in New X-Men?  Wait.  How could I forget that, when Marvel is reprinting New X-Men this very month (see above)!!!  And most importantly, how could Cyclops forget it?!?

Time for another installment. I really got diarrhea of the keyboard this week.  Lots of cool items to sift through here, but I think I’ll start with a new feature, before the break:

TOP 5 TRADES OF THE MONTH (April 2011)

5. Bulletproof Coffin (paperback). Image Comics’ critically acclaimed series gets bound.

4. Punisher: Franken-Castle. Thought it looked stupid? Heard all the criticisms? Well, now you can judge for yourself. I recommend it. Yeah, it’s weird. And no, it’s not really a Punisher book. But it is a cool comic book story.

3. The Boys Vol. 8: Highland Laddie. More mayhem from Ennis and McCrea.

2. S.H.I.E.L.D.: Architects of Forever (paperback). Hickman’s offbeat, wild, and exceptional miniseries that has nothing to do with Nick Fury and everything to do with Leonardo Da Vinci. I guarantee you’ve never read anything like it before, and Dustin Weaver’s art is tremendous.

1. Batman & Robin Vol. 1: Batman Reborn. Grant Morrison’s Best Batman Book Ever. And no Bruce Wayne!

Honorable mention: X-Men: God Loves, Man Kills. One of the first, and one of the greatest, Marvel graphic novels gets reprinted at last!

Okay, now hit the break for news about the great Sweet Tooth/Jonah Hex crossover (sort of); the return of the Red Hood; Warren Ellis cartoons; the Deadpool movie; the Luke Cage movie(?); and much more!

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THE 15 BEST COMICS OF 2010

Posted on December 30th, 2010 by ekko

I know, I know.  I already wrote about this once, and said I couldn’t really put together a definitive “best of” list.  But I’ve done more research, much more reading, and I’ve come to conclude that I can!  And have!  This list builds on that old one—you can just ignore that post, in fact, and consider this one the superseder…..

The best cover of the year appears at right.

For the rest of the list . . .

Hit the break!

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Once upon a time, there was an Alabama man who wrote a 5-issue mini series for DC/Vertigo about war based on conversations he’d had with his cousin, a guy whose autobiographical experiences became the basis for Stanley Kubrick’s Full Metal Jacket. It was a powerful piece of work titled, “The Other Side.” But since nobody reads war comics, nobody heard of it. The dude then started up an ongoing Vertigo series called “Scalped,” but since nobody reads comics about Native Americans, only a few astute critics and nerdy Vertigo fans heard of it. It was enough, though, to get that man an exclusive contract with Marvel Comics.

That man, of course, is Jason Aaron. And by many accounts, he’s one of the best things at Marvel right now. An author who is able to work within continuity without stretching the boundaries of his characters, and who is able to be gritty without being gross, and violent without being cartoonish or inappropriate. That’s probably why they gave him Wolverine: Weapon X.
I have to say that the first story arc in 2009’s Wolverine: Weapon X, “The Adamantium Men” (reprinted as “volume 1”) may be the best Wolverine story you’ll ever read that wasn’t created by Chris Claremont and Frank Miller. It was an absolutely brilliant, exciting, and fast-paced action story that added depth to Wolverine’s origin without being a retcon.

Having said all that, I can’t give a thumbs up to volume 2, Insane in the Brain. The story is predictable and, frankly, stupid. Wolverine is being held captive in a looney bin and is being experimented on by doctor with psychic powers. It’s basically a remake of the classic shlock film “Don’t Look in the Basement” but with Marvel mutants. I was so disappointed in this, words can’t express. Even the single-issue done-in-one that’s tacked in at the end of the collection, about Logan’s love life, is kind of dull and, again, predictable. I expect this stuff from Daniel Way, not Jason Aaron.

But they can’t all be homeruns I suppose. And since I can’t see writing a purely negative piece about one of the most exciting writers in Marvel’s stable, I’m moving from review mode to “top five” mode, since I am completely sold and convinced that Jason Aaron is a writer you need to know all about.

THE TOP FIVE JASON AARON MARVEL COMICS

Note: I’m including only stories that have been anthologized. The current Weapon X storyline, featuring Deathlok and Captain America, is supposed to be great, but it’s not collected yet.

Double Note: If you’re not reading Scalped, you don’t know how great comic books can be. Read it. Seriously.

5. Wolverine: A Day in the Life (reprinted in Wolverine: Weapon X, vol. 1: Adamantium Men). With art by the brilliant Adam Kubert, this story shows how it is remotely possible that Wolverine can be featured in 9 different Marvel books per month. Tongue-in-cheek, but fantastic.

4. PunisherMAX vol. 1: Kingpin. This would rate a lot higher if I didn’t dislike Steve Dillon so much.

3. Immortal Weapons #1 (collected in the trade paperback, Immortal Weapons) (2009). Jason’s story about the unflattering origin of Fat Cobra—one of the many fascinating characters created by Matt Fraction and Ed Brubaker in the pages of Immortal Iron Fist, was touching and hilarious. An example of how great a done-in-one can be, and how minor characters can support a full story.

2. Wolverine: Weapon X, vol. 1: Adamantium Men. See above review.

1. Wolverine, “Get Mystique.” Wolverine and the fine foxy blue lady go at it for 120 pages of mayhem and destruction, ending with her “death.” A great example of an extended knock-down-drag-out. A brief coda, “Get Mystique: Slight Return”, which is fun but nonessential, can be found in Dark X-Men: The Beginning. Essential reading.

Honorable mention: Black Panther, “See Wakanda and Die” (2008). A Secret Invasion tie-in that did a nice job of finishing what Reggie Hudlin started in his 2007 relaunch of the character by putting Black Panther in context. All in all, it’s a really fun read and a fine example of what Aaron does best: Action stories.

NEWS: Punisher, Woverine, and Lighting Nic Cage on Fire

Posted on September 26th, 2010 by ekko

WHUTTUP WITH PUNISHER?

I don’t really worry much about the fact that Peter Parker was in High School in 1962, which would make him almost 60 years old today.  I truly don’t.  I accept that Marvel Universe years are like dog years, and that someone can have a major personal crisis, get married, go across the universe and fight Thanos, and appear in several other major storylines all in a year.  (Jason Aaron did a great job poking fun at this in a Wolverine story, actually.)   But the thing about Punisher is that he has no powers, but he seems to be able to kick just about anyone’s ass.  So I figured when he started the “FrankenCastle” storyline, Rick Remender was really working towards youngifying Frank Castle via the bloodstone.  Looks like I was right.  Remender is leaving the Punisher series soon (dunno if it will be cancelled or get a new writer), and Punisher will be joining . . . Heroes for Hire??  The only time since the Cage/Fist days that “Heroes for Hire” was worth reading whas when it was called Daughters of the Dragon and was created by the power(girl)house team of Palmiotti/Gray/Conner.  The new book will be by the writing team of Dan Abnett and Andy Lanning (the force behind Marvel’s “cosmic” line of books).  DnA worked on Punisher way back—they did a decent tale called “Punisher Year One”—but bringing him on to team with mostly loners and outcasts (Moon Knight, Shroud, Elektra, Paladin, Silver Sable, Ghost Rider, Iron Fist, Falcon, and Misty Knight) is a terrible idea.  The only way to make this work is to fundamentally change the characters in the lineup, all for the sake of a post-Shadowland gangbang.  This just seems stupid.  Paladin is (and ever shall be) lame, Ghost Rider on a team is weird (Champions, anyone?) and Punisher works alone.  That’s his whole thing.  After the Bloodstone epic, Punisher will be literally 30 years old again, so I guess hey’re going to play it as he’s ready for a fresh new start, but I’m skeptical in the extreme.

QUICK HITS!

- NIC CAGE’S BURNING SKULL . . . IN 3D. Ghost Rider: Spirit of Vengeance is in production, will be shot in 3D, and will be released on February 17, 2012.  Start making plans accordingly.  I, for one, plan to be outside enjoying the fresh air.

- AVENGERS: EARTH’S MIGHTIEST HEROES. The animated series is coming on October 20 (Disney XD), with shorts throughout September.  Recent interviews and press releases suggest that the show versions of Iron Man and Hulk are based on the recent movie versions of these characters, while Thor is more “classic” (Kenneth Branagh’s movie Thor is more Ultimate than Lee/Kirby), as are Wasp, Hank Pym (Ant/Giant-Man, Cap, Black Panther, and Hawkeye.  The shorts will be origin and pre-Avengers assemble stories, as I understand it, and will also be available on the internet.

- WOLVERINE: ECLIPSE. I know a lot of you probably hated the X-Men Wolverine: Origins film, but other than the way they de-mouthed Deadpool, I thought it was a lot of fun.  We’ve been promised a sequel based on the (best ever) Wolverine story by Claremont/Miller, and now the rumor is that it will be directed by David (30 Days of Night/Twilight: Eclipse) Slade.  30 Days of Night was a strong comic book movie, nice and violent, but if he makes Wolvie into a teenie bopper flick, I’ll slice him to pieces.

- ENDERS GAME: SNIKT. And speaking of the Wolverine flick, it’s (Oscar-winning) Director, Gavin Hood, may take on the greatest science fiction novel of all time—Orson Scott Card’s, “Ender’s Game.” I have a hard time imagining how they could do justice to such a layered, complex piece of work, but I know for sure I’d go see it . . .

AND THE MOVING PICTURE . . .

Holy crap.  I don’t know much about the comic, but this movie looks . . . Awesome.

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