Posted on January 7th, 2010 by ekko
Note: This list eschews the obvious (Justice League!), the pretty-far-along (Deadpool!) and the already done (even if you sucked, you were Superman, Brandon!) in favor of those books that need their adaptations developed NOW! As always, I favor capes over clothes and lean heavily towards Marvel and DC. Those are my 
personal biases. If you don’t like it, start your own blog.
15. The Falcon.
Medium: Movie.
Pitch: Like Batman, only with a poor black dude.
Dream lead: Derek Luke (Antoine Fisher)
Dream director: John Singleton
For the final 15th slot, I struggled between Falcon, Green Arrow, and Moon Knight—all street vigilantes with solid box office potential. None of these would be huge films, but they’d do at least as well as Punisher—especially if they were handled better. I settled on Falcon because Green Arrow has cornball potential and Moon Knight is just too close to Batman. I still think the schizophrenic aspects of Moon Knight is ripe fodder for a brilliant, creative screenwriter, but The Falcon would also fill the too-small niche of African American superheroes, and films for an African American lead. I’d base the story around the great Falcon miniseries from the 1980s, which featured a Sentinel and Electro, and I’d definitely avoid a long, drawn out origin. It could even tie-in with Iron Man, if Marvel wanted to include Tony Stark as a co-designer of Falcon’s costume, or, more obviously, with Captain America. But with the economy being what it is, a movie with a ghetto-based antihero might be just what the doctor ordered.
14. ‘Mazing Man.
Medium: Art film.
Pitch: Iron Man for the indie crowd.
Dream lead: Johnny Galecki (Big Bang Theory)
Dream director: Marc Webb ((500) Days of Summer) or Zach Braff (Garden State)
‘Mazing Man was a charming little book that ran for one year way back in 1986. Published by D.C. and created by Bob Rozakis and Stephen DeStefano, it told the story of Sigfried Horatio Hunch III, a crazy midget from Queens who wore a yellow helmet, cape, boots and gloves, and red-polka-dotted boxers, and did good deeds like irritating guidos and teaching children to speak respectfully to their elders. ‘Maze’s best friend was a talking dog named Denton who was a comic book creator–something they never really bothered to explain. The book was so great that even Frank Miller agreed to do a cover. But it didn’t help. The book was cancelled quick. It would make a beautiful chick-flick superhero movie—maybe starring that Harry Potter kid. Note: If they make this film, better include the Letters to the Editor page. ‘Cause I had several printed, under my former nom-de-plume, “Nage.” Now go out-nerd me.
13. Power Pack.
Medium: Animated film or cartoon series.
Pitch: The Incredibles, with space action.
Dream studio: Pixar.
Perfect for kids, Power Pack launched in the 1980s to some success, and were recently rebooted in serialized mini-series that team the four kids up with various Marvel heroes. The simple tale is right out of Pixar: Dense scientist dad and mom kidnapped by aliens, white-horselike alien gives powers to their offspring, kids go into space and save the day.
12. Young Daredevil
Medium: Ongoing T.V. series on Fox.
Pitch: It could fill the void that was first occupied by Buffy, then Smallville.
Dream creator: JJ Abrams (Alias)
Okay, hear me out. The Daredevil movie flopped because it sucked, not because character can’t resonate with American audiences. A reboot would be great on its own. But what I’d really like to see is a series focusing on young DD. It could start with his accident, and show how he learns as a young man to adapt to having his powers in the “real world” of teenagers. If this idea sounds too lame for you, then I’d offer the Power Man and Iron Fist movie. But honestly, I don’t see that going anywhere, either.
11. Boris the Bear
Medium: TV (Adult Swim)
Pitch: Like Robot Chicken and Mr. Bill, but more violent.
Dream lead: Teddy Ruxpin
Dream director: The manager of a Chicago slaughterhouse.
Boris the Bear was a little black-and-white book about a teddy bear with a machine gun who basically went from panel to panel murdering lame rip offs of Teenage Mutant Ninja Turtles. Tell me Tim and Eric couldn’t do something with this concept. It’s like Monty Python’s knight-with-a-rubber-chicken, only way more bloody and violent. In fact, it could end with a giant foot crushing everything on screen.
10. Dreadstar
Medium: Sci Fi summer film.
Pitch: Star Wars meets Starship Troopers.
Dream lead: Russell Crowe
A man whose praises are too-often undersung, Jim Starlin created Dreadstar for Marvel’s first big imprint line, Epic Comics. Vanth Dreadstar was a blonde goateed swashbuckler who wore a blue hoodie and fought an evil empire that threatened to take over the universe. Although it trod ground familiarly plowed by George Lucas, it had enough “serious” elements to sustain it as a wholly original book, from cybernetic telepath Willow’s horrific origin to issue 10, in which Vanth loses his temper and beats an enemy to death with a thick chain, it was definitely aimed at adults, yet elements such as con-artist Skeevo and Willow’s monkey-like familiar brought a softer touch, and humor. An excellent early-1980s, genre-stretching book, it would make for a fun ride on the big screen.
9. Title: Hank Loves Janet
Medium: Prime time soap.
Pitch: Lois and Clark meets Jodie Foster’s The Accused.
Dream lead: Brangelina
In the spirit of Lois and Clark, it would tell the tale of a gigantic man and his tiny lady. Beyond exploring the physics of their relationship, the end of the first season would feature a Very Special Episode in which Hank beats the crap out of Jan, and she gets Captain America to turn around and beat the crap out of Hank. From which we learn that if you’re going to beat your wife, make sure she isn’t cuckholding you with a super soldier. And that’s one to grow on.
8. We3
Medium: DVD Animated Film.
Pitch: The Incredible Journey meets Terminator; unlimited stuffed animal/action figure potential.
Grant Morrison and Frank Quietly worked together on All Star Superman, which lots of people loved. To me, though, We3 reflects the peak of their collaborative process. The words back off enough to allow each panel to breathe, and, in turn, each panel pushes the reader forward to the next bit of verbal storytelling. We3 is about an adorable trio–puppy, kitten, and bunny–who have been bred to be killing machines. The paranoia mixed with cute sensitivity is a perfect fit for an animated film, even if it doesn’t bring with it the kind of audiences that would be drawn to a D.C. or Marvel superhero feature—or probably even to the nice little Hellboy 
animated film that debuted on Cartoon Network. Still, if a studio can manage to capture Quietly’s masterful artistic style, Morrison’s tale reads like a movie already. The heavy lifting is done. I’ve read that John Stevenson, director of Kung Fu Panda, is already attached to a We3 animated project. Sounds good to me.
7. Judge Dredd
Medium: R-rated action film.
Pitch: Think Death Wish, Blade Runner, Death Race, and Escape From New York.
Dream director: Rob Zombie
You can’t honestly tell me that you think Sly Stallone’s take on the character was the definitive word? Dredd’s book was futuristic ridiculousness, but it was also a 
roller-coaster ride to goretown. Dredd had a bitchin’ bike, knives, guns, clubs, and a hot slogan . . . “I am the law!” The violence was so over-the-top that parents complained. Therefore, Rob Zombie should direct.
6. Franklin Richards: Son of a Genius/Mini Marvels Power Hour
Medium: Kids cartoon on Disney.
Pitch: Calvin and Hobbes meets Nutty Professor, with short filler sketches featuring the Mini Marvels.
Dream lead: John Hodgman (The Daily Show) as the voice of H.E.R.B.I.E.
If the House of Mouse isn’t already looking into this, shame on them, especially now that the merger has been approved. The collected Franklin Richards one shots and Mini Marvels one-pagers are chock full of material that has the potential to be far more innovative, charming, and interesting than Marvel Super Hero Squad. And certainly more interesting than any supercartoons being done by Disney. Of course, the downside is that nobody seems to care about Saturday morning cartoons anymore . . .
5. Old Man Logan.
Medium: Major motion picture.
Pitch: Wolverine meets Terminator meets The Road.
Dream lead: Mickey Rourke (The Wrestler)
Post-apocalyptic mayhem would be way more interesting, and would sell way more tickets, than Wolverine in Japan. Come on, guys!
4. Ex Machina
Medium: Indie film.
Pitch: Spin City meets The Greatest American Hero.
Dream lead: Rick Schroeder (NYPD Blue)
Jason Bateman would be perfectly cast as the star of Brian K. Vaughn’s superhero-turns-mayor story. I see the movie as taking a lighter approach to its topic than the book–perhaps even something like Spin City. Brian K. Vaughn’s brilliant poli-superhero book was never overly weighty on its own, but it does tend to take itself pretty seriously. Actually, it would also make a good TV miniseries.
3. Shazam!
Medium: Feature film.
Pitch: Big meets Hellboy.
Dream lead: Leo Howard (G.I. Joe) as Billy Batson; Sam Worthington (Terminator: Salvation) as Captain Marvel.
The notion of a child-man hero is one that hasn’t been fully explored in modern superfilm lore, Tobey’s Peter Parker notwithstanding, and there are so many narrative possibilities here. Not to mention an array of bizarre side characters and villains including talking tigers and worms, family members with powers, giant robots, and evil magicians. I can’t believe this hasn’t been done since I was a kid and there was that horrible Filmation show, Shazam!/Isis hour (which I never missed) where Michael Gray would caress a spherical Lite Brite to turn into the wooden Jackson Bostwick (or John Davey, depending on what season you watched) and go rescue Timmy from a well or something—there were never any villains or real conflicts. P.S.: Yeah, I know he’s called Captain Marvel, but that name hasn’t made much sense since Marvel Comics was created . . . And is nowhere near as cool.
2. Camelot 3000
Medium: Major motion picture.
Pitch: Knights in armor! Aliens! Lazers! Swords! Evil monkeybeasts!
Dream lead: Jeremy Renner (Hurt Locker)
I can’t believe nobody’s tried this one yet. Barr and Bolland’s 12-issue series was a blast—one of the best books of the early 1980s. It helped move DC away from relying solely on playing off its existing stable of characters and towards more experimental, high concept books that took place outside of the DCU. More importantly, the story has swords and lasers, aliens and outcasts, lots of sex, magic, betrayal, and triumph. Plus, it’s got a large group of heroes, any of whom could later get spin offs.
1. Buffy The Vampire Slayer Season 8.
Medium: T.V.
Pitch: Joss Whedon has already done all the work, in comic book form.
Dream team: Joss and whoever the hell he wants to work with.
‘Nuff said.
Tags: Comic books, Daredevil, Filthy Muties, Grant Morrison Sucks, Movies, Superheroes, Television
destroyed by the Cylons. Some of the greatest TV and Movie drama is based on chase-scenes, and this entire show was one long chase. This episode set the tone.
stretcher rolls out and, of course, he falls back down the gorge. Then the stretcher falls after him and hits him in the head. This scene is cut off of the DVD, and I can’t even find it on youtube. Fox are bitches. Anyone know why they did that?
8. SPIDEY (AGAIN). I talk a lot about Amazing Spider-Man here because none of you ever comment on it, which makes me think you’re not reading it, and you should be. And a good place to start is with this week’s #622, a one-and-done interlude in the “Gauntlet” series, which is bringing back and rebooting all of Spidey’s classic foes. This issue is about Morbius The Living Vampire, who is an old but not exactly “classic.” The art chores are picked up by Joe Quinones (there are rotating creative staffs on the Spidey book) and the writing is by Fred Van Lente, who is fast becoming one of my favorite new writers. (He worked with Greg Pak on Incredible Hercules, picked up the Marvel Zombies series and made it go from just good to great, and has done some really solid kid-oriented comics in the Marvel Adventures line.) It’s far from the best issue of AmSpM, but it’s a nice introduction into how they’re handling Marvel’s best
much. I may actually have to sit this one out. I can’t believe I just wrote that.
7. The Simpsons Treehouse of Horror IV (“Bart Simpson’s Dracula”). The 1993 installment of the animated show’s tribute to Halloween–an annual favorite at my house. In this episode, Dracula is portrayed as Mr. Burns, with images that borrow heavily from the brillant Francis Ford Coppola film (see below). That is, before the episode takes a bizarre turn and into a parody of the Charlie Brown Christmas special). Very Monty Pythonesque.
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